The Song of the Rappahannock: Sketches of the Civil War — John Shaqi
The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
Is there any intoxication like the joy of victory? For the moment men
forget everything else: fatigue, thirst, wounds, dead and suffering
comrades, the parting shots of fleeing foe. But it is a short-lived
joy; at least ours was, for the victory had been costly and there were
sad gaps in the ranks of all the regiments as we reformed on the crest
of the hills. Moreover, our work was but begun. The Sixth Corps had
been ordered to join Hooker by cutting a road for itself through Lee's
army.
Regaining our knapsacks, we were speedily on the march, the First
Division now in the advance, as ours, the Second, had been in the
morning. Ghastly sights met us as we passed through the old town where
the Light Division had charged; almost every house showed marks of shot
or shell, and here and there on the sidewalks or at street corners, in
the hot sunshine lay the dead bodies of poor heroes whose last battle
was fought. I remember how almost always some comrade's friendly hand
had pulled the corner of a blanket over their swollen and blackening
faces. On we went leaving the town behind, marching along a well-made
high-road into a country of small fields set in the midst of dense and
scrubby pine woods and the afternoon was wearing away when suddenly,
from the direction in which we were going, out of those mysterious
thickets of pine came the Song.
This time there was no prelude of cracking rifles and whispering
bullets; but, as though some mighty hand smote at once all the bass
notes of a great organ the cannonade roared out, swelling louder and
louder all along our front. Soon we reached an open field where an
ammunition train was parked and here we were halted to rest and
replenish our cartridge boxes while the fierce roar of the Song still
thundered until, as we were thus busied, there was a hush--one of those
instant and ominous silences which smite the heart more loudly than any
sound: the Song did not die away, it stopped. And then, after a
breathless moment a new movement of the symphony began. Like the
pattering roar of rain after thunder, or like the long roll from a
hundred tenor drums it swept along and swelled out until the woods
responsive seemed to vibrate to its rattle. It was the file-fire of the
line of battle. We could see nothing, not even the smoke through the
dense forest; we could only listen. "Hark!" said an old soldier
standing near me. "D' ye hear that? Bullets this time: Them's the
little things that kills!"
Public-domain text, read in full here on John Shaqi.
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