This time Miss Lance was in her drawing-room, seated in one of the pair
of chairs which were arranged for intimate conversation. She did not
rise, but held out her hand to him, with a soft impulse towards the
other--in which Colonel Kingsward accordingly seated himself, with a
solemnity upon his brow which she had no difficulty in interpreting,
quick-witted as she was. She did not loose a shade upon that forehead, a
note of additional gravity in his voice. She knew as well as he did the
duty which he had come to perform. And she was a woman--not only
quick-witted and full of a definite aim, but one who took real pleasure
in her own dexterity, and played her _rôle_ with genuine enjoyment. She
allowed him to open the conversation with much dignified earnestness,
and even to begin, “My dear Miss Lance,” his countenance charged with
warning before she cut the ground from under his feet in the lightest,
yet most complete way.
“I know you are going to say something very serious when you adopt that
tone, so please let me discharge my mind first. Mrs. Revel kindly came
to me after you left yesterday, and she has made every inquiry--indeed,
as she compelled me to go back with her to dinner, I saw for myself----”
“Mrs. Revel?” said the Colonel.
“Didn’t you know he was married? Oh, yes, to a great friend of mine, a
dear little woman. It is in their house I meet my artists, whom I told
you of. Tuesday is her night, and they were all there. I was able to
make my investigations without any betrayal. But I am very, very sorry
to say, dear Colonel Kingsward, equally without any effect.”
“Without any effect,” Colonel Kingsward repeated, confused. He was not
so quick-witted as she was, and it took him some time to make his way
through these mazes. Revel, the painter, was a name, indeed, that he had
heard vaguely, but his wife, so suddenly introduced, and her “night,”
and the people described as my artists, wound him in webs of
bewilderment through which it was very difficult to guide his steps. It
became apparent to him, however, after a moment, that whatever those
things might mean, the ground had been cut from under his feet. “Does
Mrs. Revel know?” he added after a moment, in his bewilderment.
“Know--our poor dear boy? Oh, yes; I took him there--in my foolish
desire to do the best I could for him, and thinking that to see other
circles outside of his own was good for a young man. I couldn’t take him
the round of the studios, you know--could I? But I took him to the
Revels. She is a charming little woman, a woman whom I am very fond of,
and--more extraordinary still, don’t you think, Colonel Kingsward?--who
is fond of me.”
Public-domain text, read in full here on John Shaqi.
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