The Sorrows of Belgium: A Play in Six ScenesAndreyev, Leonid
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The Sorrows of Belgium: A Play in Six Scenes
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russian drama -- Translations into English; World War, 1914-1918 -- Drama
You are right. Death is not so terrible. Isn't that true, Jeanne?
JEANNE
_After a brief pause._
That's true.
EMIL GRELIEU
We shall follow him later. He will not come here, but we shall
go to him. I was thinking of it at night. It is so clear. Do you
remember the red rose which you gave him? I remember it.
JEANNE
Yes.
EMIL GRELIEU
It is so clear. Jeanne, lean over me. You are the best woman in
the world.
_Silence._
EMIL GRELIEU
_Tossing about in his bed._
It is so hard to breathe.
JEANNE
My dear----
EMIL GRELIEU
No, that's nothing. The night is tormenting me. Jeanne, was I
dreaming, or have I really heard cannonading?
JEANNE
You really heard it, at about five o'clock. But very far away,
Emil--it was hardly audible. Close your eyes, my dear, rest
yourself.
_Silence_
MAURICE
_Faintly._
Mamma!
_Jeanne walks over to him quietly._
JEANNE
Are you awake?
MAURICE
Yes. I have slept enough. How is father?
JEANNE
He is awake.
EMIL GRELIEU
Good morning, Maurice.
MAURICE
Good morning, papa. How do you feel? I am feeling well.
EMIL GRELIEU
I, too, am feeling well. Jeanne, you may draw the curtain aside.
I can't sleep any longer.
JEANNE
Very well. What a nasty day! Still it will be easier for you to
breathe when it is light.
_She draws the curtain aside slowly, so as not to make it too
light at once. Beyond the large window vague silhouettes of the
trees are seen at the window frames and several withered, bent
flowers. Maurice is trying to adjust the screen._
JEANNE
What are you doing, Maurice?
MAURICE
My coat--Never mind, I'll fix it myself.
_Guiltily._
No, mamma, you had better help me.
JEANNE
_Going behind the screen._
What a foolish boy you are, Maurice.
_Behind the screen._
Be careful, be careful, that's the way. Don't hurry, be careful.
MAURICE
_Behind the screen._
Pin this for me right here, as you did yesterday. That's very
good.
JEANNE
_Behind the screen._
Of course. Wait, you'll kiss me later--. Well? That's the way.
_Maurice comes out, his right arm dressed in a bandage. He goes
over to his father and first kisses his hand, then, upon a sign
from his eyes, he kisses him on the lips._
EMIL GRELIEU
Good morning, good morning, my dear boy.
MAURICE
_Looking around at the screen, where his mother is putting the
bed in order._
Papa, look!
_He takes his hand out of the bandage and straightens it
quickly. Then he puts it back just as quickly. Emil Grelieu
threatens him with his finger. Jeanne puts the screen aside, and
the bed is already in order._
JEANNE
I am through now. Maurice, come to the bathroom. I'll wash you.
MAURICE
Oh, no; under no circumstances. I'll wash myself today. Last
night I washed myself with my left hand and it was very fine.
_Walking over to the open window._
How nasty it is. These scoundrels have spoiled the day. Still,
it is warm and there is the smell of flowers. It's good, papa;
it is very fine.
EMIL GRELIEU
Yes, it is pleasant.
MAURICE
Well, I am going.
Public-domain text, read in full here on John Shaqi.
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