The Sorrows of Belgium: A Play in Six Scenes — John Shaqi
The Sorrows of Belgium: A Play in Six ScenesAndreyev, Leonid
History
The Sorrows of Belgium: A Play in Six Scenes
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russian drama -- Translations into English; World War, 1914-1918 -- Drama
I don't know whether he hears anything or not. But there was a
time when he did hear. He is silent, Pierre, and he furiously
denies war. He denies it by work--he works alone in the garden
as if nothing had happened. Our house is full of refugees.
Mamma and everyone else in the house are busy, feeding them,
washing the children--mamma is washing them--but he does not
seem to notice anything. He denies war! Now he is bursting from
anxiety to hear or guess what we are saying, but do you see the
expression of his face? If you start to talk to him he will go
away.
PIERRE
François!
EMIL GRELIEU
Don't bother him. He wants to be crafty. Perhaps he hears us.
You ask me what mother is thinking of. Do I know? Who can tell?
You see that she is not here, and yet these are your last hours
at home. Yes, in this house--I am speaking of the house. She
is young and resolute as ever, she walks just as lightly and is
just as clear-headed, but she is not here. She is simply not
here, Pierre.
PIERRE
Is she concealing something?
EMIL GRELIEU
No, she is not concealing anything, but she has gone into the
depths of her own self, where all is silence and mystery. She is
living through her motherhood again, from the very beginning--do
you understand? when you and Maurice were not yet born--but
in this she is crafty, like François. Sometimes I see clearly
that she is suffering unbearably, that she is terrified by the
war--. But she smiles in answer and then I see something else--I
see how there has suddenly awakened in her the prehistoric
woman--the woman who handed her husband the fighting club--.
Wait, the soldiers are coming again!
_Military music is heard in the distance, nearing._
PIERRE
Yes, according to the assignment, it is the Ninth Regiment.
EMIL GRELIEU
Let us hear it, Pierre. I hear this music several times a day.
There it starts on the right, and there it dies down. Always
there.
_They listen._
But they are brave fellows!
PIERRE
Yes.
_Both listen attentively at the window. François looks at them
askance and tries in vain to hear. The music begins to die out._
EMIL GRELIEU
_Walking away from the window._
Yesterday they played the "Marseillaise." But they are brave
fellows!
_Emil Grelieu's wife enters quickly._
JEANNE
Do you hear it? How beautiful! Even our refugees smiled when
they heard it. Emil, I have brought you some telegrams, here. I
have read them.
EMIL GRELIEU
What is it? Let me have them!
_Reading the telegrams, he staggers to an armchair and sinks
into it. He turns pale._
PIERRE
What is it, father?
EMIL GRELIEU
Read!
_Pierre reads it over the shoulder of his father. The woman
looks at them with an enigmatical expression upon her face.
She sits calmly, her beautiful head thrown back. Emil Grelieu
rises quickly, and both he and his son start to pace the room in
opposite directions._
PIERRE
Do you see?
EMIL GRELIEU
Yes.
PIERRE
Do you see?
EMIL GRELIEU
Yes! Yes!
JEANNE
_As though indifferently._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account