“Symbols,” said Morrice Deans, “need not be riddles,” and for a time the talk eddied about this minor issue and the chief labour spokesman and the bishop looked at one another. The vicar instanced and explained certain apparently insignificant observances, his antagonist was contemptuously polite to these explanations. “That's all very pratty,” he said.... The bishop wished that fine points of ceremonial might have been left out of the discussion. Something much bigger than that was laying hold of his intelligence, the realization of a world extravagantly out of hand. The sky, the wind, the telegraph poles, had been jabbing in the harsh lesson of these men's voices, that the church, as people say, “wasn't in it.” And that at the same time the church held the one remedy for all this ugliness and contention in its teaching of the universal fatherhood of God and the universal brotherhood of men. Only for some reason he hadn't the phrases and he hadn't the voice to assert this over their wrangling and their stiff resolution. He wanted to think the whole business out thoroughly, for the moment he had nothing to say, and there was the labour leader opposite waiting smilingly to hear what he had to say so soon as the bout between the vicar and the rationalist was over. (6) That morning in the long galleries of the bishop's imagination a fresh painting had been added. It was a big wall painting rather in the manner of Puvis de Chavannes. And the central figure had been the bishop of Princhester himself. He had been standing upon the steps of the great door of the cathedral that looks upon the marketplace where the tram-lines meet, and he had been dressed very magnificently and rather after the older use. He had been wearing a tunicle and dalmatic under a chasuble, a pectoral cross, purple gloves, sandals and buskins, a mitre and his presentation ring. In his hand he had borne his pastoral staff. And the clustering pillars and arches of the great doorway were painted with a loving flat particularity that omitted nothing but the sooty tinge of the later discolourations. On his right hand had stood a group of employers very richly dressed in the fashion of the fifteenth century, and on the left a rather more numerous group of less decorative artisans. With them their wives and children had been shown, all greatly impressed by the canonicals. Every one had been extremely respectful. He had been reconciling the people and blessing them and calling them his “sheep” and his “little children.” But all this was so different. Neither party resembled sheep or little children in the least degree. .