The Soul of Ann Rutledge: Abraham Lincoln's RomanceBabcock, Bernie
General
The Soul of Ann Rutledge: Abraham Lincoln's Romance
Babcock, Bernie
Lincoln, Abraham, 1809-1865 -- Fiction; Rutledge, Ann, -1835 -- Fiction
The movements in the shadows just outside the arbor continued, but
nobody noticed. The exhorter, calling on God and all the holy angels
to witness the truth of his sayings, was drawing a graphic comparison
between the righteous and the sinner, especially of that most fallen
and hopeless sinner, the Clary Grove sinner.
After the discourse, which was thundered out with tremendous force, the
first altar-song was announced,
If you get there before I do,
I'm bound for the land of Ca-na-yan;
Look out for me, I'm coming, too,
I'm bound for the land of Ca-na-yan;
When this popular song got well underway, the woods for miles around
rang with the refrain. The altar filled with sinners who fell in the
dust, and with saints who whispered in their ears full directions for
planting their feet firmly on the old ship Zion, and with shouters,
among whom was Phoebe Jane Benson.
Ann Rutledge and Nance Cameron on one side of the arbor, and Abe
Lincoln and Jo Kelsy on the other, had watched Phoebe Jane taking
her combs out and in other ways preparing for the shouting. Ann,
remembering what Mrs. Benson had said about hugging, was prepared to
watch for developments as Phoebe Jane, with arms flying, began her
religious exercise.
When the mourners were prostrating themselves in the dust, one of the
dark figures in the shadowy background whispered, "Tickle her up and
then run"; and as he reached a long pole into the enclosure under the
exhorter's feet he said, "Sic 'em, kitty!" and the two were off.
Just as the first sinner was saved and the shouters were getting well
warmed up, a heavy and most unreligious odor suddenly pervaded the air.
The front row of mourners, with their faces in the dust, nearest the
exhorter's stand, noticed it first as it came like a puff from the
infernal regions just pictured by Windy Batts. Lifting their heads,
these mourners looked about, with facial expressions none too pious,
to see what had smitten them. Next the shouters got the full force of
the growing odor. Immediately their shouts turned to groans, and they
put their hands over their noses. By this time the mourners were on
their feet. This sudden change from the dust of humiliation to the
erect poise of saved souls, ordinarily denoted a conversion. At this
time, however, the eye of suspicion cast on every man by every other
man, together with the sudden and violent outbreak of snorting and
spewing, gave evidence of something different from spiritual birth.
When Windy Batts, who at this first moment was engaged in holding
Phoebe Jane in the close embrace of brotherly love, was struck by the
force of the permeating odor, he pushed Phoebe Jane from him, giving
her a look both questioning and unsanctified.
Public-domain text, read in full here on John Shaqi.
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