England -- Social life and customs -- 20th century -- Fiction; Villages -- England -- Fiction; World War, 1914-1918 -- Fiction
They were alone in the parlour. The antimacassars had been taken from
the big Bible and replaced. But no fire burned in the grate. To Hamlin
the room stood for all that he detested and assailed in English life and
character. In its humble way, it positively exuded pretension. The
carpet, a crudely-coloured body Brussels, the ornaments on the
mantel-shelf, the enlarged photographs, the horse-hair and mahogany
furniture, the prim bookcase, glazed and glaringly varnished,
imprisoning, under lock and key, books that nobody read or could read,
the mirror, the velveteen curtains with imitation lace under-curtains,
all had been bought to impress neighbours! It was pathetic to reflect
that Mrs. Yellam thought this hideous parlour a thing of beauty, whereas
her kitchen, a joy to behold, was merely regarded as utilitarian. And
yet the kitchen expressed sincerely all that was finest in Mrs. Yellam;
the parlour set forth blatantly the defects of her strong personality.
She read the letter.
"May I keep it, sir?"
"Yes. Colonel Tring tells us, Mrs. Yellam, what we all know here. Alfred
was a son to be proud of."
Her face remained impassive. She agreed respectfully that it would be
unwise to tell Fancy the truth till some measure of strength returned to
her. Hamlin had thought out a score of simple sentences. He said none of
them. In all his long life he had never realised so acutely the
illimitable space which may divide two human beings. At this moment
Parson and Parishioner stood far apart as the poles. He had intended to
allude to his own son. But she might fling in his teeth the cutting
reminder that he had others and a daughter. And in this cold, ugly room,
looking upon her frozen face, sympathy congealed at its source. He
withheld condolence, because it must hurt instead of help. In silence he
commended her soul to God, and went away.
Mrs. Yellam unlocked her brass-cornered desk, and placed the letter
amongst other papers. Then, idly, she looked out of the window, which
faced the road and river. Before Hamlin came, she had stood at the
window upstairs, staring out upon the same familiar landscape. And she
had asked for a sign. She had looked at the heavy clouds even as Fancy
had looked at her cards. If light shone through them, she might believe
that for her spring and summer would bloom again.
The sign had not been vouchsafed.
Now, she stood at the window again, with features slightly relaxed. Such
an expression informed her face as may be seen, sometimes, on the faces
of steerage passengers upon trans-Atlantic boats taking leave for ever
of their native land.
She turned from the window and went, heavily, into the kitchen.
Public-domain text, read in full here on John Shaqi.
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