The Soul of the Indian: An Interpretation — John Shaqi
The Soul of the Indian: An InterpretationEastman, Charles A.
Religion
The Soul of the Indian: An Interpretation
Eastman, Charles A.
Indian mythology -- North America; Indian philosophy -- North America; Indians of North America -- Religion
The closing ceremony, which was intensely dramatic in its character, was
the initiation of the novices, who had received their final preparation
on the night before. They were now led out in front of the headquarters
lodge and placed in a kneeling position upon a carpet of rich robes and
furs, the men upon the right hand, stripped and painted black, with a
round spot of red just over the heart, while the women, dressed in their
best, were arranged upon the left. Both sexes wore the hair loose, as
if in mourning or expectation of death. An equal number of grand
medicine-men, each of whom was especially appointed to one of the
novices, faced them at a distance of half the length of the hall, or
perhaps fifty feet.
After silent prayer, each medicine-man in turn addressed himself to his
charge, exhorting him to observe all the rules of the order under the
eye of the Mysterious One, and instructing him in his duty toward his
fellow-man and toward the Ruler of Life. All then assumed an attitude
of superb power and dignity, crouching slightly as if about to spring
forward in a foot-race, and grasping their medicine bags firmly in both
hands. Swinging their arms forward at the same moment, they uttered
their guttural “Yo-ho-ho-ho!” in perfect unison and with startling
effect. In the midst of a breathless silence, they took a step forward,
then another and another, ending a rod or so from the row of kneeling
victims, with a mighty swing of the sacred bags that would seem to
project all their mystic power into the bodies of the initiates.
Instantly they all fell forward, apparently lifeless.
With this thrilling climax, the drums were vigorously pounded and the
dance began again with energy. After a few turns had been taken about
the prostrate bodies of the new members, covering them with fine robes
and other garments which were later to be distributed as gifts, they
were permitted to come to life and to join in the final dance. The whole
performance was clearly symbolic of death and resurrection.
While I cannot suppose that this elaborate ritual, with its use of
public and audible prayer, of public exhortation or sermon, and other
Caucasian features, was practiced before comparatively modern times,
there is no doubt that it was conscientiously believed in by its
members, and for a time regarded with reverence by the people. But at
a later period it became still further demoralized and fell under
suspicion of witchcraft.
Public-domain text, read in full here on John Shaqi.
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