The Soul of the Soldier: Sketches from the Western Battle-Front — John Shaqi
The Soul of the Soldier: Sketches from the Western Battle-FrontTiplady, Thomas
History
The Soul of the Soldier: Sketches from the Western Battle-Front
Tiplady, Thomas
World War, 1914-1918 -- Personal narratives, English
On analysis I should say that there are five subjects on which our
soldiers sing. First, there are Nonsense Songs or, if you prefer it,
songs of soldier-philosophy. They know that no theory will explain the
war; it is too big a thing for any sheet of philosophy to cover. It has
burst in on our little hum-drum life like a colliding planet. The thing
to do is not to evolve a theory as to how the planet got astray but to
clear up the mess it has made. Our soldiers show this sense of the
vastness of war-happenings, by singing of things having no real
importance at all, and keeping steadily at their duties. The path of
duty is, they find, the only path of sanity. The would-be war
philosopher they put on one side. The war is too big for him. Let him
leave his explanation of the war and lend a hand to bring it to an end.
So they sing, with laughing irony,
"We’re here because we’re here, because
We’re here, because we’re here."
Or,
"While you’ve got a lucifer to light your fag,
Smile, boys, that’s the style.
What’s the use of worrying?
It never was worth while,
So pack up your troubles in your old kit-bag
And smile, smile, smile."
Another favorite is,
"Oh, there was a little hen and she had a wooden leg,
The best little hen that ever laid an egg,
And she laid more eggs than any hen on the farm,
And another little drink wouldn’t do us any harm."
I have seen them dancing round some old piano singing,
"Oh, that fascinating Bow Bells’ glide,
It’s a captivating Bow Bells’ slide.
There’s a rumor that the puma does it now,
Monkeys have taken to it,
Leopards and lions do it.
All the elephants wear dancing shoes,
They keep hopping with the kangaroos;
Hear them chatter, it’s a matter for some talk;
Now the Jungle’s got the Bow Bells’ walk."
The second class of song is the Love Song, of a more or less serious
character. The Tommies came out of England singing "Tipperary," but
they dropped it in France, and the only one on whose lips I have heard
it was a little French boy sitting on the tail of a cart. The chorus
alone gave it popularity for it was the expression, ready to hand, of a
long farewell; and with its "long long way to go" showed that, like
Kitchener, the soldiers were not deceived by hopes of an early peace.
Now another song with verses more expressive of their sentiments has
taken its place. The chorus runs:
"There’s a long, long trail a-winding
Into the land of my dreams,
Where the nightingales are singing
And a white moon beams;
There’s a long, long night of waiting
Until my dreams all come true;
Till the day when I’ll be going down
That long, long trail with you."
Then the mood changes, and we hear the lads piping out,
Public-domain text, read in full here on John Shaqi.
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