The platform was now thronged with young men, many of them being
officers in a variety of brand-new uniforms, but most of them still in
civilian clothes as they had left their workshops or their homes to
obey the mobilization orders to join their military depots. The young
medical officer who had been speaking to me withdrew himself from
his wife's arm to answer some questions addressed to him by an old
colonel in his own branch of service. The lady turned to me and
spoke in a curiously intimate way, as though we were old friends.
"Have you begun to realize what it means? I feel that I ought to weep
because my husband is leaving me. We have two little children. But
there are no tears higher than my heart. It seems as though he were
just going away for a week-end--and yet he may never come back to
us. Perhaps to-morrow I shall weep."
She did not weep even when the train was signalled to start and
when the man put his arms about her and held her in a long
embrace, whispering down to her. Nor did I see any tears in other
women's eyes as they waved farewell. It was only the pallor of their
faces which showed some hidden agony.
17
Before the train started the carriage in which I had taken my seat was
crowded with young men who, excepting one cavalry officer in the
corner, seemed to belong to the poorest classes of Paris. In the
corner opposite the dragoon was a boy of eighteen or so in the
working clothes of a terrassier or labourer. No one had come to see
him off to the war, and he was stupefied with drink. Several times he
staggered up and vomited out of the window with an awful violence of
nausea, and then fell back with his head lolling sideways on the
cushions of the first-class carriage. None of the other men--except
the cavalry officer, who drew in his legs slightly--took the slightest
interest in this poor wretch--a handsome lad with square-cut features
and fair tousled hair, who had tried to get courage out of absinthe
before leaving for the war.
18
In the corner opposite my own seat was a thin pallid young man, also
a little drunk, but with an excited brain in which a multitude of strange
and tragic thoughts chased each other. He recognized me as an
Englishman at once, and with a shout of "Camarade!" shook hands
with me not once but scores of times during the first part of our
journey.
He entered upon a monologue that seemed interminable, his voice
rising into a shrill excitement and then sinking into a hoarse whisper.
He belonged to the "apache" type, and had come out of one of those
foul lairs which lie hidden behind the white beauty of Paris--yet he
spoke with a terrible eloquence which kept me fascinated. I
remember some of his words, though I cannot give them his white
heat of passion, nor the infinite pathos of his self-pity.
Public-domain text, read in full here on John Shaqi.
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