Parkyns has also given an account of a similar disorder called _tigritiya_, which may be the same as the _zar_ mentioned by Stern, though from the description, it appears to be more serious. The _tigritiya_, says Parkyns, is the near relation of the _bouda_, “but generally a far more disagreeable and dangerous devil than he. His dependents are supposed to be found in great numbers in Godjam, which province, indeed, is celebrated for sorcerers of all kinds. The first symptoms usually are the gradual wasting away of the attacked person, without any cause being apparent either to herself or her relatives. At last, however, after dieting, and the ordinary medicines have been unsuccessfully tried, it becomes a matter of suspicion to her friends, who determine, on ascertaining, whether or no she be afflicted with this devil. The first thing to be observed is to feed her daintily and dress her neatly. As her complaint and this treatment advance, she becomes peevish and fretful, and is always longing for something or other. Whatever she demands must be procured, else she will become sulky, and, covering up her head, remain sometimes for days without eating or speaking. Ornaments of all kinds require to be borrowed for her, often at much trouble to her unfortunate relations; for she is rarely satisfied unless she gets an assortment of those worn by both sexes, even to the lion’s skin of a warrior; and these are frequently almost impossible to procure. With some persons it is necessary to have recourse to music before the real cause of their complaint can be discovered. Drums and other musical instruments are collected outside the chamber door, and the musicians suddenly strike up all together, when the patient is not expecting it. If her illness be of an ordinary kind, she will, of course, beg of them to desist, but, if possessed, she will leap or fall from her couch to the ground, and commence shrugging her shoulders and swinging her head to and fro in time with the music; beginning with a slight movement, but gradually increasing in pace as she appears to become excited, till at last her motions are so violent that a spectator is led to fear for the safety of her neck. It is truly wonderful to see a sick person whom you have just beheld stretched on a bed, a weak, emaciated bag of bones, apparently without strength to rise, keeping up this very fatiguing motion with a velocity and power of endurance that would be astonishing even in an ordinarily strong person. On the music’s ceasing she rests, and then begins to speak, telling _his_ name (that is, the devil’s) and his family; and it is usually after this that she demands the trinkets, specifying each article that she requires, and making their production the condition of her dancing again. She, as I before said, generally contrives to name objects that are most difficult to obtain, such as the silver-ornamented velvet worn only by great war-chiefs;