The source of the Blue Nile : $b a record of a journey through the Soudan to Lake Tsana in western Abyssinia, and of the return to Egypt by the valley of the Atbara, with a note on the religion, customs, etc. of AbyssiniaHayes, Arthur J.
Religion
The source of the Blue Nile : $b a record of a journey through the Soudan to Lake Tsana in western Abyssinia, and of the return to Egypt by the valley of the Atbara, with a note on the religion, customs, etc. of Abyssinia
Hayes, Arthur J.
Ethiopia -- Description and travel; Ethiopia -- Religion; Sudan -- Description and travel
To return to the camp at Bahardar Georgis. The survey work of
the expedition was now completed, and our subsequent stages were
upon the homeward journey. On February 3 we visited the village
church. I obtained a clear photograph of some of the paintings in
the interior. Unfortunately, as I am no archæologist, I cannot
pretend to say whether the clothing of St. George, either in his
combat or his victorious return, or the conception of the other
figures, gives an indication of the origin of the Abyssinian school
of ecclesiastical art. I hope that some of my readers who are better
informed may be able to throw light upon the subject. It is, perhaps,
of considerable interest for the following reason: If the usages of
the Abyssinian church, which is strictly conservative, represent a
really primitive form of Christianity, they show that the observance
of ritual ceremonies was, in the early days, at least as much a
matter of concern as the condition of the individual conscience. And
the style of the Abyssinian pictures of sacred subjects may help to
determine the date when the accepted liturgy took its present form.
In the afternoon the guns of the party added some venison, poultry,
and game to the larder, and in the evening we were serenaded—against
our will and at our expense. A band of singers and dancers from the
village—both men and women—came into camp. They had no intention
of showing their skill without remuneration, and as it would have
caused ill-will among them and disappointment to our own boys and
escort if we had sent them away, we endured their performance and
paid for it. One of the instruments which they use is a piece of
board, over which strings are stretched, so that it looks like a
rude archaic forerunner of the violin. They twang the strings with
their fingers, but do not “stop” them to obtain different notes
from the same string. Our troupe also played the tomtom and sang in
the high nasal voice which is characteristic of the race. We heard
the last of them, thankfully, at half-past nine.
While we were at Bahardar Georgis, the Waitos near our camp drove a
brisk trade in courbashes.[96] I bought of them some hippo tusks,
which they were glad to sell, as they live in great poverty. If I
had had some more small change (salt) I could have purchased a quite
considerable stock.
[Illustration: INTERIOR OF THE CHURCH AT BAHARDAR GEORGIS.
_See p._ 153.]
Insects are an annoying pest in this part of the lake side. Hosts
of mosquitoes and small beetles of a peculiar species appeared on
the flat ground at sunset, and swarmed throughout the neighbourhood
for an hour afterwards. The beetles settled upon us in throngs, and
crawled into our noses and ears and under our clothes, and we could
not even crush them on account of the unendurable smell which their
bodies then gave forth. When the first hour after sundown is past, the
temperature falls very rapidly, and one sees no more of these insects.
Public-domain text, read in full here on John Shaqi.
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