The Southern Literary Messenger, Vol. I., No. 1, August, 1834Various
General
The Southern Literary Messenger, Vol. I., No. 1, August, 1834
Various
American literature -- 19th century -- Periodicals
a melancholy interest to the narrative. She finally fell a victim to
her sufferings, and found at the age of twenty-six, a premature grave
at Autun, in France, on her return to her native England.
In the course of her pilgrimage she visited Paris, Geneva, Milan,
Venice, Florence, Rome, Naples, Genoa, and various other cities. All
the wonders of art and glories of nature in Italy's elysian land, seem
to have borrowed additional splendor and beauty from the touches of her
magic pencil--and in her reflections upon men and manners there is a
purity of sentiment which could neither be sullied by the temptations
of wealth and fashion, nor by the prevalence of licentious customs in
that voluptuous climate.
We cannot deny to our readers the pleasure of a few extracts, which
will fully justify the estimate we have placed upon this delightful
volume.
The frivolous extravagance which in many things characterises the
French people, and especially the Parisian circles, is thus described:
"_La mode_ at Paris is a spell of wondrous power: it is most like what
we should call in England a rage, a mania, a torrent sweeping down the
bounds between good and evil, sense and nonsense, upon whose surface
straws and egg-shells float into notoriety, while the gold and the
marble are buried and hidden till its force be spent. The rage for
cashmeres and little dogs, has lately given way to a rage for Le
Solitaire, a Romance written, I believe, by a certain vicomte
d'Arlincourt. Le Solitaire rules the imagination, the taste, the dress
of half Paris: if you go to the theatre, it is to see the 'Solitaire,'
either as tragedy, opera, or melodrame: the men dress their hair and
throw their cloaks about them _à la Solitaire_; bonnets and caps,
flounces and ribbons are all _à la Solitaire_; the print shops are full
of scenes from Le Solitaire; it is on every toilette, on every work
table;--ladies carry it about in their reticules to show each other
that they are à la mode; and the men--what can they do but humble their
understandings and be _extasiés_, when beautiful eyes sparkle in its
defence, and glisten in its praise, and ruby lips pronounce it divine,
delicious, 'quelle sublimité dans les descriptions, quelle force dans
les caractères! quelle âme! quel feu! quelle chaleur! quelle verve!
quelle originalité! quelle passion!' &c.
"'Vous n'avez pas lu le Solitaire?' said Madame M. yesterday; 'eh mon
dieu! est-il donc possible! vous? mais, ma chère, vous êtes perdue de
reputation, et pour jamais!'
"To retrieve my lost reputation, I sat down to read Le Solitaire, and
as I read, my amazement grew, and I did in 'gaping wonderment abound,'
to think that fashion, like the insane root of old, had power to drive
a whole city mad with nonsense; for such a tissue of abominable
absurdities, bombast, and blasphemy, bad taste and bad language, was
never surely indited by any madman, in or out of Bedlam: not Maturin
himself, that king of fustian,
Public-domain text, read in full here on John Shaqi.
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