The Southern Literary Messenger, Vol. I., No. 1, August, 1834Various
General
The Southern Literary Messenger, Vol. I., No. 1, August, 1834
Various
American literature -- 19th century -- Periodicals
"The morning we left Padua was bright, lovely and cloudless. Our drive
along the shores of the Brenta crowned with innumerable villas and gay
gardens was delightful; and the moment of our arrival at Fusina, where
we left our carriages to embark in gondolas, was the most auspicious
that could possibly have been chosen. It was about four o'clock: the
sun was just declining towards the west; the whole surface of the
_lagune_ smooth as a mirror, appeared as if paved with fire;--and
Venice with her towers and domes, indistinctly glittering in the
distance, rose before us like a gorgeous exhalation from the bosom of
the ocean. It is farther from the shore than I expected. As we
approached, the splendor faded: but the interest and the wonder grew. I
can conceive nothing more beautiful, more singular, more astonishing,
than the first appearance of Venice, and sad indeed will be the hour
when she sinks, (as the poet prophecies) 'into the slime of her own
canals.'
"The moment we had disembarked our luggage at the inn, we hired
gondolas and rowed to the Piazza di San Marco. Had I seen the church of
St. Mark any where else, I should have exclaimed against the bad taste
which every where prevails in it: but Venice is the proper region of
the fantastic, and the Church of St. Mark, with its four hundred
pillars of every different order, color, and material; its oriental
cupolas, and glittering vanes, and gilding and mosaics, assimilates
with all around it: and the kind of pleasure it gives is suitable to
the place and people.
"After dinner I had a chair placed on the balcony of our inn, and sat
for some time contemplating a scene altogether new and delightful. The
arch of the Rialto, just gleamed through the deepening twilight; long
lines of palaces, at first partially illuminated, faded away at length
into gloomy and formless masses of architecture; the gondolas glided to
and fro, their glancing lights reflected on the water. There was a
stillness all around me, solemn and strange in the heart of a great
city. No rattling carriages shook the streets, no trampling of horses
echoed along the pavement:--the silence was broken only by the
melancholy cry of the gondoliers, and the dash of their oars; by the
low murmur of human voices, by the chime of the vesper bells, borne
over the water, and the sounds of music raised at intervals along the
canals. The poetry, the romance of the scene stole upon me unawares. I
fell into a reverie, in which visionary forms and recollections gave
way to dearer and sadder realities, and my mind seemed no longer in my
own power. I called upon the lost, the absent, to share the present
with me--I called upon past feelings to enhance that moment's delight.
I did wrong--and memory avenged herself as usual. I quitted my seat on
the balcony, with despair at my heart, and drawing to the table took
out my books and work. So passed our first evening at Venice."
Public-domain text, read in full here on John Shaqi.
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