The Southern Literary Messenger, Vol. I., No. 11, July, 1835 — John Shaqi
The Southern Literary Messenger, Vol. I., No. 11, July, 1835Various
General
The Southern Literary Messenger, Vol. I., No. 11, July, 1835
Various
American literature -- 19th century -- Periodicals
DEAR HENRY,--Mr. Paulding and Miss Sedgewick, are, in my opinion,
inferior in genius to the American writers I mentioned in my last.
They may be classed as the secondary novelists of this country, though
in general literature, Paulding is equal if not superior to Cooper.
His tales are usually short and want interest; but his characters are
well sketched, his incidents natural, and his opinions and
observations characterized by good sense. There is, however, an
affectation of humor in what he writes, that does not please me. It
seems to consist more in the employment of quaint terms and odd
phrases, than in the incident or character itself, and would appear to
be the result of an early and frequent perusal of the works of Swift
and Rabelais. His productions are neat and sensible, but not very
imaginative or striking. The interest or curiosity of the reader is
never powerfully excited, but he never fails to please by the manner
in which he conducts his plots; the easy and perspicuous style he
employs, the clear and happy illustration of the vice or folly he
holds up to indignation or scorn, and the successful though sometimes
exaggerated developement of the character he wishes to portray. In
both Paulding and Cooper there is an overwhelming American feeling,
which bursts forth on all occasions, and which, to a foreigner, seems
to partake of the nature of deep rooted prejudice. It results,
however, I have no doubt, from an ardent love of country, increased
perhaps by the silly contumelies and sarcasms of the reviewers and
travellers of our country. Mr. Paulding has not displayed any great
depth or expansion of mind in anything he has yet written, though he
has tried his wing in both prose and verse. His forte is satire,
which, like that of Horace, is more playful than mordant and bitter.
The productions of Miss Sedgewick which I have seen, are remarkable
for good sense, but without much vigor of imagination. She succeeds
best in quiet life. The delineation of the workings of passion, and of
stormy and powerful emotions, are beyond the reach of her powers; but
what she attempts she always does well. Her plots are generally
without complication, and display no great fertility of invention; the
incidents are not very striking and the characters are sometimes tame,
and occasionally extravagant. They are not like the delineations of
Miss Edgeworth, or Miss Mitford. You cannot form an idea of the
nationality of the individual she sketches, and would as soon take him
for a native of any other country as of her own. There is a manifest
defect in this particular, in all the novelists I have mentioned. With
the exception of the Indians who are occasionally introduced, there is
scarcely any difference between their Americans, and the inhabitants
of other lands. Cooper has indeed presented a finer gallery of
American characters than any other writer, especially in his sketches
of the early settlers or pioneers; but his characters, except in a few
Public-domain text, read in full here on John Shaqi.
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