The Southern Literary Messenger, Vol. I., No. 12, August, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 12, August, 1835
Various
American literature -- 19th century -- Periodicals
But when the blast of real woe
Withered the brightness of my soul--
Bade me to dream of bliss no more,
And yet denied the Lethean bowl,
Did Poesy, like that bright star
That burns upon the brow of night,
Scatter misfortune's clouds afar,
And with her beauty glad my sight?
Ah, no! She flies the wretched breast,
To seek the gay and happy throng;
In mirth's soft bowers she loves to rest,
And speed the flying hours along.
Where fountains play, and flowrets bloom,
And where no thoughts of care intrude,
To beauty's halls the Muse has flown,
And left me to my solitude.
But lo! a fairer form appears,
On heavenly pinions hovering nigh;
She bids me dry repining tears,
And points me to her native sky.
She tells me of repose and peace
Which to the pure in heart are given,
And bids my sorrowing bosom cease
To mourn for those who're blest in heaven.
Religion! on thy brow doth glow
The rainbow hues of hope and joy;
That perfect peace thou canst bestow,
Which nothing earthly can destroy.
For the Southern Literary Messenger.
STANZAS.
The moon as brightly shines to-night,
The scene as lovely ought to be,
As when I gazed upon its light
And thought sweet Hope was born for me;
'Tis _I_ am changed, and not the hour--
Alas! the darkness centres _here_;
No clouds about yon planet lower,
I only view it through a tear.
Soft, lovely orb! some smiling eye
Ev'n now reposes on thy beams,
Some maid that never breathed a sigh,
Forsakes for thee her tranquil dreams;
Methinks I view her buoyant breast,
And mark the hopes that tremble there;
I also dreamed that I was blest,
'Till waked from slumber by a tear.
F. L. B.
For the Southern Literary Messenger.
LIONEL GRANBY.
CHAP. V.
The voice of youth! the air is rife
With a dream of glorious things,
And our harp is thrilling with the life
Of all its shining strings.--_Newspaper_.
Public-domain text, read in full here on John Shaqi.
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