The Southern Literary Messenger, Vol. I., No. 7, March, 1835Various
History
The Southern Literary Messenger, Vol. I., No. 7, March, 1835
Various
American literature -- 19th century -- Periodicals
Notwithstanding the last injunction, many circumstances conspired to
induce a belief that the letter had been written under Yusuf's
directions, in order to discover the temper and disposition of the
Americans. In truth, the general character of the Spanish Consul was
by no means respectable; he was known to be closely connected with the
Pasha, and it had even been suspected, that to his influence or agency
the war with the United States was chiefly to be attributed. In
addition to this, no communications had been received from Yusuf since
his last proposition to Preble, after the bombardment in August; nor
indeed was any thing known respecting his strength, or the effects
which had been produced by the attacks made during the preceding
summer. It was therefore difficult to judge what "would be appropriate
and suitable for both parties;" and the Spanish Consul's _sub rosa_
means of disposing the Pasha to such terms, were very naturally
mistrusted. For these reasons, and from an expectation that more
direct offers would soon be made, it was determined that no answer
should be given to the letter immediately.
Of Eaton, no news was received by the Commodore from the period of his
departure for Egypt, until the return of the Argus from Alexandria, on
the 10th of March, 1805. She brought despatches from him, containing
information of the means pursued to communicate with Hamet, of their
successful issue, of the Convention about to be made with the Prince,
and of their projected expedition to Derne, in aid of which he
intreated that supplies of money, provisions and ammunition might be
sent to Bomba, and if possible, a detachment of one hundred marines.
In the brig came also Mahumed Mezaluna, an old Moor, who had been
Hamet's secretary, and who now appeared as his accredited agent to
solicit assistance.
Public-domain text, read in full here on John Shaqi.
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