We cannot leave the White Sulphur without a deep feeling of regret, that the proprietors of this otherwise attractive and delightful place, should make so little provision for the comfort of visitors. The buildings, though extensive, are not at all sufficient to accommodate the numbers which now resort thither. During the last summer almost every house for miles on the roads leading to the springs, was thronged with persons who had been turned off at the hotel. Many of those who could obtain the privilege of remaining upon the ground, received exceedingly unpleasant accommodations. The table too, which assumes a prodigious importance after a week's residence and use of the water, is by no means such as should be afforded at such an establishment. Every visitor will recollect his dining-room experience at the White Sulphur. But one of the most unpleasant features of the whole, is found in the person of the manager, who, although naturally possessed of an amiable and accommodating disposition, we must say, in our opinion, is not qualified for the situation. It is much to be lamented, that this place which possesses decided advantages over any watering place in the United States and perhaps in the world--whose climate, scenery and healing properties are no where surpassed, and to which, notwithstanding the accommodations, crowds resort, should not be fitted up in a style suited to its merits. For the Southern Literary Messenger. THE FINE ARTS. NO. III. --------------- In elegant design, Improving nature: in ideas fair, Or great, extracted from the fine antique; In attitude, expression, airs divine; Her sons of Rome and Florence bore the prize. _Thomson_. The sixteenth century was remarkable for the transcendant excellence of the Italian painters; every city had its school, and each school preserved a different style, distinguished for expression, grace or dignity. By schools, we do not mean academies, for there were none when these great men came forth ennobling nature: they studied in the "academic groves" of the Arno and the Tiber, and were themselves the establishers of those schools, that fettered genius with scholastic rules, and from that day the arts began to decline; each succeeding generation became imitators of the preceding one, and neglecting the study of nature and the poetry of art, they fell into a manerism, growing worse and worse down to their present puerile and meretricious style. And here permit us to correct a very prevalent error, that Italy at this day is distinguished far its living artists, when in fact no country of Europe is so deficient in men eminent in sculpture and painting; but for the present we will confine our remarks to the masters of the sixteenth century and their unrivalled works.