The Southern Literary Messenger, Vol. II., No. 2, January, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 2, January, 1836
Various
American literature -- 19th century -- Periodicals
Now at the foot of a mountain
In the silence and shadow he stood,
By the brink of the charmed fountain
Whose dark and sullen flood
Doth bring forgetfulness to those
Who drink its wave, of all their woes.
For thence he took
The magic flower,
And three times shook
Its leaves of power, {101}
And muttered the word
Which in our clime
Hath not been heard
Since the birth of Time--
This done, 'tis said,
If the youth or the maid
Of thy heart be untrue,
The leaves will fade
And fall where they grew;
Alas! he knew
By this same never-erring token,
That the faith of his ocean-love was broken.
In mute surprise and grief the youth remained,
Gazing upon the stalk unleaved and bare,
Which still his hand unconsciously retained,
Then proudly tossed it on the green sward there--
"Thus," said he, "from my heart, false one, I cast
The memory of thee and of the past."
Now o'er the fountain's brim he stooped to lave
His eager lip in the oblivious wave;
But ere he had approached so near, his breath
Might break the mirror sleeping calm beneath,
Her image, in the beauty of a dream,
Between him and the waters seemed to swim,
And memories which his heart unconsciously
Had garnered up, came o'er him hurriedly,
In sweet succession, 'till his soul of feeling
Thrilled like harp-strings o'er which the winds are stealing.
He drew back, undecided--in dismay,
And as, whene'er he strove, the vision smiled,
So was he ever baffled and beguiled,
Until at last he rose and went his way--
Unhappy howsoe'er, he fancied yet
_Nought could so joyless be as to forget_.
MORAL
There must be something beautiful in wo
That springs from love, else what is it that makes
The heart, cling to its veriest sorrows so,
And will not part with them until it breaks?
Indeed love's pleasure with its pain so blends
Like the warm sunset glow, and 'mid heaven's blue,
We cannot tell where one begins or ends,
Tho' each so totally unlike in hue.
ENGLISH POETRY.
CHAPTER III.
Public-domain text, read in full here on John Shaqi.
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