The Southern Literary Messenger, Vol. II., No. 4, March, 1836 — John Shaqi
The Southern Literary Messenger, Vol. II., No. 4, March, 1836Various
History
The Southern Literary Messenger, Vol. II., No. 4, March, 1836
Various
American literature -- 19th century -- Periodicals
mind with agitation and pointing the way to revenge. In the energy of
despair a portion of the captives have broken their manacles--they
rush to liberate their fellows--the air is full of their cry for
revenge--the conclave of Europe's wisest statesmen is at fault--a
king trembles on his throne--and what, gentle reader, do you suppose
is to be the result of these mighty throes and convulsions? why, just
nothing, literally nothing at all. A Countess of Blessington surveys
the scene from afar; reclining on an Ottoman, beneath a cloud of
aromatic odors she recollects the subject of conversation at her last
"soiree;" the idea flits across her brain with a gentle pang as it
flies, that the energy of O'Connell is becoming exceedingly vulgar,
and that the convulsions of a revolution so near her would be
extremely trying to her nerves, not to mention those of Messrs.
Bulwer and D'Israeli. Her resolution is taken, and at spare intervals
between morning visits and soirees, she writes the "_Repealers_,"
which is at once to settle the agitations of a kingdom, and
annihilate O'Connell himself. She has no sooner finished, than
washing her hands "forty times in soap and forty in alkali," she
despatches the production to Mr. Bulwer, who looking upon the work
pronounces it good; and lo! the succeeding number of the New Monthly
shall teach you the wonderful virtues of the moral medicaments which
come from the Countess of Blessington's specific against Irish
agitation. But who is Mr. Bulwer himself? for in this age so
wonderful for accomplishing great ends by little means, it has become
necessary to know him. Why a literary magician, a sprite of Endor,
who by the potency of his charm conjures up the spirits of the mighty
dead. Evoked by him the departed prophets arise. A Peter the Great,
and a Bolingbroke, a Pope and a Swift, not to mention others of
somewhat lesser note, come forth and speak at his command as once
they spoke. The departed oracles of English literature are no longer
mute. But the visits of the dead are of necessity short. They have no
time now for such chit-chat as some may suspect they have hazarded
whilst living. They come on a mission of importance which they have
barely time to accomplish. The hidden secrets of policy are to be
revealed, mightly oracles in philosophy and criticism are to be
declared. Truths fall like hailstones, and wit descends in showers.
But lo! what figure is that which stalks across the scene and comes
to take his part in this play of phantasmagoria with which we have
just been entertained. Does he belong to the land of shadows or the
world of reality? "Under which king, Bezonian, speak or die." It is
an impersonation of the mental and moral qualities of Mr. Edward
Lytton Bulwer himself, not a prophet--but more than a prophet. The
"most wonderful wonder of wonders." Pope and Swift are overpowered by
his wit. The star of Bolingbroke pales before the superior effulgence
Public-domain text, read in full here on John Shaqi.
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