The Southern Literary Messenger, Vol. II., No. 4, March, 1836Various
History
The Southern Literary Messenger, Vol. II., No. 4, March, 1836
Various
American literature -- 19th century -- Periodicals
pursuits then told as now, that still eternal tale of empty vanity
and misbegotten hopes. The ashes of buried cities on which we tread,
the timeworn records of fallen empires and past greatness, the
monuments of events yet more remote and faintly discernible in the
dim distance, seem the too visible memorials of "what shadows we are,
and what shadows we pursue," and like Crusoe we recoil with wonder
and fear from _that trace_ of man on the desert shore. The earlier
the records to which we refer, the more deeply are we struck with the
wonderful power of our minds which enables us to use the hoarded
experience of ages and enter into silent communion with the dead, and
the more sensibly are we impressed by the comparison of the
imperishable creations of our spiritual nature, with the fading
glories of our mortal state. We ascend the stream of time as the
traveller of the Nile in quest of its mysterious sources, and the
farther we proceed the more wonderful is the view adown that vale of
ages through which it flows. Behind us, in the dim distance arise the
dark and impenetrable barriers, whose cloud-capt summits seem to
point to the heavens as the source of the mysterious river, whilst
before us flow the dark rolling waves of that wide stream which is to
bear us too to the mysteries of that land of shadows where we are
taught to expect an eternal, perhaps an awful home. Fair cities and
mighty empires arise in momentary show along its shores, and then
pass away upon its rolling waters. In swift succession the
generations of man chase each other upon its heaving billows in
shadowy hosts,--the dim phantasmagoria of our mortal state! And yet
like shades that wander along the Styx, some memories still live upon
its silent shore to tell the tale of wrecks and ruins which stud the
wave-worn banks. Lo! yonder rocky headland around which sweeps the
swift stream as it stretches into the dark bay where the waters lie
in momentary repose. How many were the marble palaces, how smiling
were the gardens which gladdened that once lovely spot. Yon
mouldering fane that yet clings to the wave-worn rock, was once the
least amongst ten thousand, and where are they?--Lost in these dark
waters in whose deep womb are buried the long forgotten glories of
our mortal race.
Public-domain text, read in full here on John Shaqi.
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