The Southern Literary Messenger, Vol. II., No. 4, March, 1836Various
History
The Southern Literary Messenger, Vol. II., No. 4, March, 1836
Various
American literature -- 19th century -- Periodicals
modern astronomer is able to detect even in the course of the most
erratic comet the resultant of the two opposing forces of the solar
system, so this profound observer of the human heart was able to
trace in the madness of revolution, the contests of a more pacific
policy, and even in the horrors of anarchy, the direction given by
the two elementary and opposing forces of the social system. Would we
trace society still further as another combination of these
elementary forces in different proportions gives its direction in the
line of despotism, we must turn to the Roman Thucydides--to Tacitus,
for a true knowledge of the internal machinery which regulates it
under this form of government. Do we wish to obtain an accurate view
of the motives which move masses to action? would we investigate man,
not as an individual, but according to those common qualities of the
human mind by which we may classify his species and genera, and by
which only we must consider him if we would rightly estimate the
effects of circumstances upon masses? Turn to either or to both of
these historians, whose profound and searching analysis so rarely
fails of detecting the motives to human action. In both we shall find
the same deep philosophy, the same careful study of the human heart,
and the same eagerness to utter truth when clearly conceived, without
regard to the forms of expression; the great and distinctive
difference is in the difference of temperament arising perhaps out of
a difference of situation. The more fiery Roman gives you glowing
sketches, not pictures--they flow from him with that careless haste
so indicative of boundless wealth. Each sketch bears within itself
the evidence of lofty conception, and shows in every line the traces
of a master's hand whose rapid touch is too busy in embodying the
forms with which his brain is teeming to waste its energies in those
minuter cares so necessary for filling out a perfect picture. With
rapid pencil he leaves perhaps a simple line, but it is the line of
Apelles--the hand of the master was there. The conceptions of the
rival Greek, like his, are lofty but more matured, and the same
careless ease with a somewhat superior elegance, mark his execution.
His coloring however is milder, and you are never struck with those
startling contrasts of light and shade so peculiar to the Roman.
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