The Southern Literary Messenger, Vol. II., No. 8, July, 1836Various
General
The Southern Literary Messenger, Vol. II., No. 8, July, 1836
Various
American literature -- 19th century -- Periodicals
In front of the ministerial group, and separated from it only by the
table of the clerks, sits Sir Robert Peel, surrounded also by his
conservative aids, among whom you may distinguish Lord Granville
Somerset the quasimodo of Westminster, whose double hump does not
prevent him from being one of the most alert to sound the Protestant
tocsin against Popery.
Here and there you may have observed other distinguished members of
the house; Daniel O'Connell, the great O'Connell, calm and absorbed in
the reading of some new book, of which he is cutting open the leaves,
in the midst of his sons, his nephews, and his Irish Catholics, who
form what is called _his tail_; a tail, if you please, but one which
leads the head of the state. After them, Lord Stanley, the young heir
of the house of Derby, that ambitious and disappointed _elegant_, who
has yet only in heart deserted the benches of the reformers.
Next you have remarked two young men standing up, and differing as
much in their height and figure as in their opinions; but equally
celebrated, each one in his own way, in the world, and who, in
consequence, deserve to be described.
The first is Viscount Castlereagh, son of the Marquis of Londonderry,
a mad conservative like his father, but less simple and possessed of
much more discretion. Thin and pitiful in his person, without figure
and without talent, it is not in the house that he really exists; in
the saloons of the west end is his true atmosphere—it is there alone
that his stupidity finds the air that it can respire. Lord Castlereagh
is one of the chiefs of the new school which has regenerated English
fashion. This school is entirely different from that of Brummell,
which founded its distinction upon dress. The new fashionables of the
sect of the noble lord, affect, on the contrary, entire negligence in
the dress, and the greatest freedom of manners. Nothing is brilliant
in their equipages, nor in the style of their servants. Their vehicles
are of dark colors and sombre liveries; for themselves extreme
simplicity in appearance. No flowered vests; no gold or silver lacing
about them; no jewels; at the most the end of a gold chain at the
button of a black coat; an engraved ring betraying some mysterious
sentiment known to the whole city. Add to this the most refined
impertinence of vanity, a sublime contempt for every one not of the
exclusive circle into which they alone find admission, and an
ambitious senseless jargon. Lord Castlereagh is the perfect type of
this first and principal class of London fashionables.
Public-domain text, read in full here on John Shaqi.
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