“Among the early English poets, so called,” says the American Monthly, “there is combined with marked individuality, a sort of general resemblance, not easily defined, but readily perceived by a discriminating reader. They lived in an age of invention, and wrote from a pleasurable impulse which they could not resist. They did not borrow from one another, or from those who had gone before them, nor pass their time in pouring from one vessel into another. Thus, however different their styles, however various their subjects, whether the flight of their genius be high or low, there is the same aspect of truth and naturalness in the poetry of them all; as we can trace a common likeness in all faces which have an open, ingenuous expression, however little resemblance there may be in the several features. Most of them were well acquainted with books, and many of them were deeply learned; and an air of ripe scholarship sometimes degenerating into pedantry, pervades every thing they wrote. As a class too, they are remarkable for a healthy, intellectual tone, defaced neither by moody misanthropy, nor mawkish sentimentality. The manly Saxon character beams out from every line; and that vigorous good sense, so characteristic of the English stock, every where leaves its impress. Another trait which, with a few exceptions, honorably distinguishes them, is the purity of their sentiments, and their high moral feeling, especially in all that touches the relation of the sexes. We shall find many coarse expressions, such as a man would not read aloud to his family; but very rarely any thing bordering upon heartless profligacy, or studied licentiousness, or any intimation of a want of respect for the great principles of the moral law. Due reverence is always shown for those high personal qualities which constitute the best security for the greatness and prosperity of a people. Homage is always paid to honor in man, and chastity in woman. The passion of love, in its multitudinous forms and aspects, supplies a large proportion of their themes, and it is treated with equal delicacy and beauty. In the amatory strains of the old English poets, we perceive a romantic self-forgetfulness, an idealization of the beloved object, a tenderness and respectfulness of feeling, in which the passion is almost wholly swallowed up in the sentiment, and a wooing with the best treasures of the intellect as well {585} as the heart, such as can be found in no other class of poets.”