In _literature_, how remarkable and how injurious is the influence of names, apart from any actual or intrinsic merit. How common is it to estimate an opinion or sentiment, not by the wisdom of the one or the purity of the other, but by the authority of him who pronounces {550} it. A false, immoral, or stupid passage in a book, which bears on its title-page the name of a popular writer, is often received with favor, when precisely the same offence in an unknown author would be almost certain to bring down upon him the lash of criticism. Take for example one of England's most renowned bards—one, not more known even in his own country than on this side of the Atlantic—whose “Melodies” are lisped by our amorous youths and sentimental maidens, and whose name has become a “household word”—a passport to every festival where music, love and wine are the sources of enjoyment. Among his “National Airs” so called, Mr. Moore has written the following lines, which have no doubt been admired by every pretty miss in the country, as the very perfection of poetry, sentiment, and even good sense. Flow on, thou shining river, But, ere thou reach the sea, Seek Ella's bower, and give her The wreaths I fling o'er thee. And tell her thus, if she'll be mine, The current of our lives shall be, With joys along their course to shine, Like those sweet flowers on thee. But if, in wandering thither, Thou find'st she mocks my prayer, Then leave those wreaths to wither Upon the cold bank there. And tell her thus, when youth is o'er, Her lone and loveless charms shall be Thrown by upon life's weedy shore, Like those sweet flowers from thee. Now the plain English prose of all this, when divested of the magic of Mr. Moore's numbers, is something like the following. “Take, gentle river, these pretty flowers which I fling upon thy surface, and before thou reachest the great ocean, be pleased to flow into the bower of my fair Ella; and if it be not miracle enough, good river, for thee to rush into a lady's bower, without either drowning her or wetting her garments, be pleased to perform another wonderful feat and _speak to her_—tell her if she will only marry me, our joys whilst we are floating down life's current, shall resemble these wreaths which are borne upon thy bosom. But mark me, river!—if this insensible girl is resolved that she will not accept a good offer, why then roar like another cataract, toss these worthless wreaths on the shore to wither and rot, and tell this cruel Ella that she will live and die an ugly, neglected old maid.”