She said nothing to her father or to the farmhands as to her errand. No
one inquired. For a long while, ever since she had left the convent
school, she had been mistress of her own actions and of other people’s.
Old Vanderlynden, if he ever spoke of her to others, used not the
peasant’s usual “Ma fille”--“my little girl,” but “Ma demoiselle”--“my
young lady.” Her dress indicated nothing, for etiquette forbade her
going beyond the farm in her old worn “every-day” and apron, clogs and
upturned sleeves. Old men and women and children were plowing, manuring
and weed-burning in the fields bordering the hedgeless road. She spoke
to no one, and no one spoke to her. She met them all once a week, at
Mass, and that was sufficient. One or two of them, glancing at her
straight figure and level, unswerving gait, glanced at each other and
grinned. The usual surmises were probably made, for it was known that
she was keeping company with none of the young men of her generation
before they were all hurried off to the War--and it was plainly
unnatural that a good-looking young woman with a dowry should not be
sought in marriage. These surmises were all the more interesting because
nothing definite was known.
Some hundreds of yards before reaching the Lille-Calais road, Madeleine
passed under the shadow of one of those little woods of oak, crowning a
small conical hill, that constitute the only untilled plots of the
hard-worked Flemish border. Like its counterpart in all the neighboring
parishes, this wood also was called the “Kruysabel” or Poplar-cross, on
account of the crucifix that hid in its highest and thickest part, where
its five “rides” met in a tiny clearing. To the south of this clearing
was a little hunting shelter, brick, with mock-Gothic windows and leaded
lights, encircled by a timber-pillared verandah, on which the thatch of
the eaves descended, in the worst style of Lille garden-furnishing
(“rustic work” in England). After entering the wood by a wicket, it was
to this erection that Madeleine mounted by a soft squashy “ride” between
impenetrable walls of oak sapling, planted as close as it would grow,
and cut regularly, section by section, according to age, so that little
could be seen but slim straight gray-green stems on all sides.
Public-domain text, read in full here on John Shaqi.
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