The 'Campaign' is not a great poem. Reams of 'Campaigns' would not have made Addison's name, what it now is, a household word among his countrymen. The 'Remarks on several Parts of Italy, &c.,' in which Addison followed up the success of his 'Campaign' with notes of foreign travel, represent him visiting Italy as 'Virgil's Italy,' the land of the great writers in Latin, and finding scenery or customs of the people eloquent of them at every turn. He crammed his pages with quotation from Virgil and Horace, Ovid and Tibullus, Propertius, Lucan, Juvenal and Martial, Lucretius, Statius, Claudian, Silius Italicus, Ausonius, Seneca, Phædrus, and gave even to his 'understanding age' an overdose of its own physic for all ills of literature. He could not see a pyramid of jugglers standing on each other's shoulders, without observing how it explained a passage in Claudian which shows that the Venetians were not the inventors of this trick. But Addison's short original accounts of cities and states that he saw are pleasant as well as sensible, and here and there, as in the space he gives to a report of St. Anthony's sermon to the fishes, or his short account of a visit to the opera at Venice, there are indications of the humour that was veiled, not crushed, under a sense of classical propriety. In his account of the political state of Naples and in other passages, there is mild suggestion also of the love of liberty, a part of the fine nature of Addison which had been slightly warmed by contact with the generous enthusiasm of Steele. In his poetical letter to Halifax written during his travels Addison gave the sum of his prose volume when he told how he felt himself ... on classic ground. For here the Muse so oft her harp hath strung, That not a mountain rears its head unsung; Renown'd in verse each shady thicket grows, And ev'ry stream in heav'nly numbers flows. But he was writing to a statesman of the Revolution, who was his political patron, just then out of office, and propriety suggested such personal compliment as calling the Boyne a Tiber, and Halifax an improvement upon Virgil; while his heart was in the closing emphasis, also proper to the occasion, which dwelt on the liberty that gives their smile to the barren rocks and bleak mountains of Britannia's isle, while for Italy, rich in the unexhausted stores of nature, proud Oppression in her valleys reigns, and tyranny usurps her happy plains. Addison's were formal raptures, and he knew them to be so, when he wrote, I bridle in my struggling Muse with pain, That longs to launch into a bolder strain.