Among our Modern _English_ Poets, there is none who was better turned for Tragedy than _Lee_; [6] if instead of favouring the Impetuosity of his Genius, he had restrained it, and kept it within its proper Bounds. His Thoughts are wonderfully suited to Tragedy, but frequently lost in such a Cloud of Words, that it is hard to see the Beauty of them: There is an infinite Fire in his Works, but so involved in Smoak, that it does not appear in half its Lustre. He frequently succeeds in the Passionate Parts of the Tragedy, but more particularly where he slackens his Efforts, and eases the Style of those Epithets and Metaphors, in which he so much abounds. What can be more Natural, more Soft, or more Passionate, than that Line in _Statira's_ Speech, where she describes the Charms of _Alexander's_ Conversation? _Then he would talk: Good Gods! how he would talk!_ That unexpected Break in the Line, and turning the Description of his Manner of Talking into an Admiration of it, is inexpressibly Beautiful, and wonderfully suited, to the fond Character of the Person that speaks it. There is a Simplicity in the Words, that outshines the utmost Pride of Expression. _Otway_ [7] has followed Nature in the Language of his Tragedy, and therefore shines in the Passionate Parts, more than any of our _English_ Poets. As there is something Familiar and Domestick in the Fable of his Tragedy, more than in those of any other Poet, he has little Pomp, but great Force in his Expressions. For which Reason, though he has admirably succeeded in the tender and melting Part of his Tragedies, he sometimes falls into too great a Familiarity of Phrase in those Parts, which, by _Aristotle's_ Rule, ought to have been raised and supported by the Dignity of Expression. It has been observed by others, that this Poet has founded his Tragedy of _Venice Preserved_ on so wrong a Plot, that the greatest Characters in it are those of Rebels and Traitors. Had the Hero of his Play discovered the same good Qualities in the Defence of his Country, that he showed for its Ruin and Subversion, the Audience could not enough pity and admire him: But as he is now represented, we can only say of him what the _Roman_ Historian says of _Catiline_, that his Fall would have been Glorious (_si pro Patriâ sic concidisset_) had he so fallen in the Service of his Country. C. [Footnote 1: From Seneca on Providence: "'De Providentiâ', sive Quare Bonis Viris Mala Accidant cum sit Providentia' § 2, 'Ecce spectaculum dignum, ad quod respiciat intentus operi suo Deus: ecce par Deo dignum, vir fortis cum malâ fortunâ compositus, utique si et provocavit." So also Minutius Felix, 'Adversus Gentes:' "Quam pulchrum spectaculum Deo, cum Christianus cum dolore congueditur? cum adversus minas, et supplicia, et tormenta componitur? cum libertatem suam adversus reges ac Principes erigit." Epictetus also bids the endangered man remember that he has been sent by God as an athlete into the arena.]