The Speech of MonkeysGarner, R. L. (Richard Lynch)
Science
The Speech of Monkeys
Garner, R. L. (Richard Lynch)
Monkeys; Sound production by animals; Speech
would soon proceed with his play and not worry himself about it; yet he
rarely failed to show that he was aware that something was wrong.
Whether he missed one from four, or only acted on general principles, I
do not know; but that he missed one from three was quite evident.
I may here add that there is a great difference in different specimens,
and their tastes vary like those of human beings. The same idea is much
clearer to some monkeys than it is to others, and a choice of colours
much more definite; but I think that all of them assign to different
numbers a difference of value. Some are talkative and others taciturn. I
think I may state with safety that the Cebus is the most intelligent and
talkative of all the monkeys I have known; that the Old World monkeys,
as a group, are more taciturn and less intelligent than the New World
monkeys, but I do not mean to include the anthropoid apes in this
remark.
[Sidenote: MUSICAL RECORDS ON PHONOGRAPH]
As a test of their taste for music or musical sounds, I took three
little bells, which I suspended by three strings, one end of which was
tied to a button. The bells were all alike, except that from two of them
I had removed the clappers. I dropped the bells through the meshes of
the cage about a foot apart, and allowed the monkey to play with them. I
soon discovered that he was attracted by the one which contained the
clapper. He played with it, and soon became quite absorbed in it. I
attracted his attention to another part of the cage with some food, and
while he was thus diverted I changed the position of the bells by
withdrawing and dropping them through other meshes. On his return he
would go to the place he had left, and, of course, get a bell with no
clapper in it. He would drop this and take another, until he found the
one with the clapper, which showed clearly that the sound was a part of
the attraction. I have repeated to monkeys many musical records on the
phonograph, but frequently they show no sign of concern, while at other
times they display some interest. It may be, however, that music, as we
understand it, is somewhat too high for them. Musical sounds seem to
attract and afford them pleasure, but they do not appreciate melody or
rhythm. As monkeys readily discern the larger of two pieces of food from
the smaller, and by the aid of concrete things can count a limited
number, I feel justified in saying that they have the first principles
of mathematics as dealing with numbers and quantity in a concrete form.
Their ability to distinguish colours and their selection thereof, would
indicate that they possess the first rudiment of art as dealing with
colour. And the fact that they are attracted in a slight degree by
musical sounds shows that they possess the germ from which music itself
is born. I must not be understood to claim that they possess anything
more than the mere germ from which such faculties might have been
evolved.
Public-domain text, read in full here on John Shaqi.
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