Both men came from Liège, in the Walloon country, and both have been
head of the violin department in the Conservatoire in Brussels. When
Ysaye resigned a few years ago, Thompson took his place. (The
Conservatoire, by the way, was subsidized by the Government and was
entirely for the service of the people. The aristocracy did not send
their children there, employing members of the faculty to come to their
homes instead.) Unlike so many great men, Ysaye was honoured in his own
country, and appreciated and adored by his own people. He was especially
adored by his pupils, who considered him a sort of god.
When Thompson played in Boston he was not appreciated. He admits that he
has stage fright, and when appearing before a large audience becomes
frozen and fails to play at his best. He is a master of counterpoint,
and an authority on ancient music. Although a fine teacher, he sometimes
becomes sarcastic, and his pupils do not worship him as Ysaye's do. His
son served in the Belgian army and at last accounts was convalescing
from a wound, in an English hospital.
We attended a wonderful performance of "Götterdämmerung," which began at
half-past five and lasted all the evening. An American woman, Madame
Walker, sang remarkably well. The opera was very good, and Friday night
was the fashionable time to attend, when it was generally crowded.
One morning we went to the "Concours de Violons" at the Conservatoire.
The playing was of a high order and the enthusiasm of the crowded
audience tremendous. The judges sat in one of the stage boxes and the
competitions began at nine, all the pupils playing the same piece in
succession. Each competitor came out and stood on the stage alone, save
for her accompanist and her teacher, and played for some fifteen
minutes, facing the jury and the critical crowd.
Quite the nicest looking of all the contestants was a little American
girl of sixteen, Miss Hildegarde Nash, who seemed very self-possessed.
Her method was so perfect that, while she had to compete with men, as
well as with other clever little half-grown girls like herself, she
gained a "_premier prix avec grand distinction_." We felt quite proud of
her.
Besides the music, there were _conférences_--talks by various people on
various subjects. One went to them either by invitation, or by
purchasing tickets; some were given for charity, others for mutual
benefit.
Before the war broke out there were about two hundred of our compatriots
in the American colony in Brussels. Most of the older ones had brought
their children there because the schools were good and quite
inexpensive, and both rents and servants' wages were low. Many of the
younger people were there for the purpose of studying music.
Public-domain text, read in full here on John Shaqi.
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