"I think I can answer you, my dear," replied her husband. "There are, as you probably know, two little provinces in the northern part of Belgium called East and West Flanders. The boundaries of the Flanders of history and of art, however, cover a considerable wider area than these two provinces. Over in France a considerable part of the Department du Nord was for centuries subject to the Counts of Flanders. On the other side, to the eastward, the cities of Antwerp and Malines were for many centuries independent of the Counts of Flanders, but their people spoke Flemish, their houses, churches and town-halls were built in the best style of Flemish architecture, and they became famous centres of Flemish art and learning. To my mind, therefore, they both belong to Flanders. Brussels, however, while its Hotel de Ville and Grande Place are splendid examples of Flemish architecture, is more French than Flemish, and belongs to the Walloon or French part of Belgium. "Now, as the Editor here has proposed a plan which seems to me a good one as regards our hotels, I will venture to suggest one as regards our itinerary. It will make comparatively little difference which towns we visit first, and as some are more closely identified with the early history of Flanders than the others I propose that we visit these older towns first. At the time of the Crusades Ypres, for example, had two hundred thousand inhabitants when the population of London was less than thirty-five thousand and Antwerp was an obscure little town. Nieuport and Furnes were, at that time, the chief seaports of Flanders. Now they are miles from the sea. Dixmude, near by, was another important city of those olden days. Now all these places are country villages--'the dead cities of Flanders,' they are called, and scarcely a tourist from America ever visits them, although they are fairly familiar to our English cousins. "If we start our pilgrimage in Flanders with Bruges, which was the first capital of the County of Flanders, and with these old towns--all of which are hard by--we can plan our journeys chronologically, so to speak, visiting first the monuments that date from the twelfth to the fourteenth centuries, then those of the fifteenth and sixteenth centuries, and so on. In that way we not only can keep the little history we know straight, but we can trace with our own eyes the gradual development of Flemish architecture and art."