The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
The Belfry was naturally our first stopping place after we had done
justice to the excellent dinner in half a dozen courses that two
francs had secured for us. This edifice dates from 1187, and stands
slightly back from the apex of the triangle formed by the Grande
Place. According to some authorities the peculiar shape of the Place
is due to the intersection of two Roman roads at the point where the
Belfry now stands. Externally the tower, which is two hundred and
thirty-six feet high, strikingly resembles the Belfry of Ghent.
Within, after climbing a winding stairway for some distance, we
were shown several large rooms with heavy timber ceilings that were
once used as prison cells. They looked fairly comfortable, as compared
with the dungeons in the Château des Comtes, and one of them was then
in use by the small son of the concierge as a play-room and was
littered with toys--mostly of his own manufacture, apparently. The
doors to these "cells" were of massive construction and locked by keys
nearly a foot long, or at least it seemed so, though we did not
measure them. The view from the top of the edifice is picturesque and
well worth the climb. A melodious set of chimes is installed near the
top, which ring every half hour. The big bell, _la Bancloque_, which
called the people to arms, was cast in 1392, and must have been rung
quite frequently during the stirring days when Tournai was being
fought for by armies from half the countries in Europe.
[Illustration: THE BELFRY, TOURNAI.]
From the Belfry we visited the ancient Church of St. Brice which
stands in one of the very oldest quarters of the city. Almost facing
the church are two buildings known as the Roman houses. Although
hardly dating from the time of the Romans they are undoubtedly very
ancient. Only the outer walls, however, remain of the original
construction, the interiors dating from a much later period. One of
these houses was untenanted when we were there, and the other was an
estaminet. We entered it and ordered drinks, and asked if we could see
the up-stairs rooms, but apparently they were not very tidy as the
landlady declined to show them, assuring us that there was nothing to
see. At No. 18 on the same street, rue Barre-Saint-Brice, is another
estaminet in a house of very ancient construction. After quite a
search we found the caretaker of the church. As old as the oldest part
of the cathedral this structure is a remarkable example of Romanesque
architecture. Externally it looks from the rear like three stone barns
built close together, but its square tower is lofty and imposing,
although much injured by a silly sort of hat which was stuck on early
in the last century. The most interesting object within was a quaint
Tournai tapestry representing a variety of Biblical subjects.
Public-domain text, read in full here on John Shaqi.
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