The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces — John Shaqi
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
As the _Lapland_ slowly steamed up the river we could look down from
her lofty decks upon the broad and intensely cultivated plain,
stretching as far as eye could penetrate in the misty distance. Here
and there we could see compact little groups of farm buildings,
usually arranged around a central courtyard and with their outer walls
well-nigh windowless, as if the peasant proprietors still counted on
the possibility of a siege such as their ancestors no doubt often had
to sustain against the wandering marauders and freebooters who for
centuries infested the country. Along every road and canal, and beside
nearly every cross-country path, we could see long lines of trees set
out at regular intervals and cutting the landscape into sections of
varying sizes and shapes. Now and then a little hamlet could be seen,
with its red-tiled roofs nestling close together and a tiny church
steeple rising from the centre. Often the roofs of the houses nearest
to the river were below the top of the high dykes which here enclose
the Scheldt on either side. Close to the banks an occasional fort
commanded the river--outlying links in the great chain of
fortifications that was thought to be impregnable until the huge
German siege guns so quickly battered it to pieces.
Presently some one with a keener vision than the rest cries that the
spire of the Cathedral of Antwerp is in sight and we all crowd forward
and peer eagerly through the mist until at last we make out vaguely
the shape of that marvel of Flemish architecture rising above the flat
plain. At each turn of the river it draws nearer and we can see more
clearly its delicate tracery of lace-work carved in stone, while one
by one other spires loom up through the grey dawn.
The traffic in the river becomes more dense as we proceed slowly
onward--huge red-bottomed tramp steamers with their propellers half
out of the water and churning furiously in a smother of foam, clumsy
canal boats with Flemish or German names lying at anchor close to the
banks, barges with dingy brownish sails and all manner of strange
cargoes. Then, suddenly, we swing around the last turn and the entire
city lies before us, its houses with their high peaks and dormer
windows rising tier above tier, while at the left we catch glimpses
through the lock gates of the vast inner docks with their hundreds of
masts and funnels. Curiously enough the view to the right is entirely
different--the green fields and farmsteads stretching in this
direction from the very edge of the river as far as the eye can see.
Public-domain text, read in full here on John Shaqi.
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