The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
To the ancestor of this architect, Jean Keldermans, is generally
attributed the honour of designing the tower of St. Rombaut, the
architectural glory of Malines and one of the most magnificent
structures of the kind in the world. There are a thousand places
throughout the city where the photographer or painter can obtain
attractive views of this masterpiece, but perhaps the best of all is
from a point some distance down the Ruelle sans Fin (Little Street
without End) where a quaint mediæval house forms an arch across the
narrow street, while behind and far above it rises the majestic tower.
From whatever standpoint one regards the great tower, whether gazing
up at its vast bulk from directly beneath--a point of view that the
camera cannot reproduce--or from any of the little streets that
radiate away from it, its grandeur and beauty are equally impressive.
[Illustration: TOWER OF THE CATHEDRAL OF ST. ROMBAUT FROM THE RUELLE
SANS FIN.]
Begun in 1452, work on the great tower advanced slowly. In 1468,
according to a memorial tablet near the southern side of the tower,
Gauthier Coolman was buried there. It was the custom in the Middle
Ages to thus recognise the _magister operis_, or creator of the work,
but it is generally acknowledged that Jean Keldermans is entitled to
share in the credit for this achievement. Jean was the first in a
family of famous architects, his brothers André, Mathieu and Antoine
I, following the same profession, and their skill being handed down
to later generations, of whom the most famous were Antoine II, Rombaut
and Laurent. At the beginning of the sixteenth century work on the
great tower was stopped, owing to lack of funds, after attaining a
height of three hundred and eighteen feet. The plans, of which
sketches are still preserved at Brussels, called for carrying the
spire upward to a total height of five hundred and fifty feet, and in
the ambulatory of the cathedral we found a plaster cast showing the
spire as it was proposed to erect it. The stones to complete the work
were already cut and brought to Malines, but were carried away between
1582 and 1584 by the Prince of Orange to build the town of
Willemstadt. Apart from its height, this tower is remarkable for its
great bulk, measuring no less than twenty-five metres in diameter at
the base.
Public-domain text, read in full here on John Shaqi.
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