The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern ProvincesVose, Edward Neville
History
The Spell of Flanders: An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
Vose, Edward Neville
Flanders -- Description and travel
Besides Ste. Walburge, already mentioned--which was evidently planned
to be a cathedral, but of which only the choir was ever
completed--Furnes possesses the church of St. Nicholas, which has a
noble square tower, also unfinished. Both churches are disappointing
within, although the former is, no doubt, of great interest to
architects as an example of the ogival style, while the latter is
Gothic and dates from the fourteenth century. The choir stalls in St.
Walburge are notable examples of the Flemish woodcarvers' art,
although far less ancient than the church itself.
If the time of your stay is midsummer, as it will be if you come to
Furnes to see the Procession, do not go away without a day on the
dunes at Coxyde. This beach is less well known, as yet, than those at
Ostende, Heyst and Blankenburghe farther to the east but it is
increasing in popularity very rapidly. A land company, with head
offices at Brussels, is engaged in erecting summer houses among the
dunes which look too American in architecture and manner of
construction for this country where houses are generally built as if
intended to last a thousand years. A little _chemin de fer_
_vicinal_ runs from Furnes to Coxyde. In addition to the splendid
beach and the dunes, which have a dreary grandeur that is always
fascinating, the shrimp fishermen, or _pecheurs de crevettes_, will
make the short trip well worth while.
[Illustration: SHRIMP FISHERMEN, COXYDE.]
These weather-beaten men, with their rough oilskin hats and suits, are
the modern representatives of an ancient Flemish industry--shrimp
fishing having been carried on along these coasts literally from time
immemorial. They are very picturesque, both while at work on horseback
dragging in their nets, and while lounging along the shore, pipe in
mouth. Jean Delvin has a fine painting representing them in the Museum
at Ghent, while one of the most powerful of Meunier's statues is
devoted to the same subject.
CHAPTER VI
NIEUPORT AND THE YSER CANAL
When the war is over, and the era of commemoration begins, Belgium, if
she is free, should erect at Nieuport, close to the great locks that
mark the outlet of the Yser Canal--or at some point along the canal
where the fighting was the fiercest--a monument higher than that at
Leipzig where the Germans recall their victory over Napoleon, higher
than the great lion that guards the field of Waterloo. At its summit
should stand a heroic-sized figure in imperishable bronze of a Belgian
infantryman, one of the round-capped "demons" whose indomitable will
and unwavering courage held this last bit of Belgian soil against
overpowering numbers for days. It was here that Germany's magnificent
rush from Antwerp to the Channel ports was stopped, and it was the
last remnant of the little Belgian army that, turning on its foe like
a lion at bay, hurled back every assault until the little Yser Canal
ran red and until, at last, the great reinforcing hosts of the allies
came.
Public-domain text, read in full here on John Shaqi.
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