There is a satisfaction in this to those of us who believe in fairies
and in Scott. For fairies have no sense of place or of time. And of
course if they knew that Scott wished them to have lived at his Huntlie
Bank, they straightway would have managed to have lived there. Always,
as you go through this land of romance, or any romance land, and wise
dull folk dispute, you can console yourself that Scott also was
mistaken(?).
The castle began with a small cottage, not this great pile of gray stone
we can see from the railway carriage across the Tweed, into which we
make our humble way through a wicket gate, a restrained walk, and a
basement doorway. "My dreams about my cottage go on," he wrote to
Joanna Baillie, as we all dream of building cottages into castles. "My
present intention is to have only two spare bedrooms," but "I cannot
relinquish my Border principles of accommodating all the cousins and
duniwastles, who will rather sleep on chairs, and on the floor, and in
the hay-loft, than be absent when folks are gathered together."
So we content ourselves with being duniwastles, whatever that may be,
and are confident that Sir Walter if he were alive would give us the
freedom of the castle.
In any event, if we feel somewhat robbed of any familiar intercourse, we
can remember that Ruskin called this "perhaps the most incongruous pile
that gentlemanly modernism ever designed." This may content the
over-sensitive who are prevented ever hearing the ripple of the Tweed
through the windows.
Scott was a zealous relic hunter, and if you like relics, if you can
better conjure up persons through a sort of transubstantiation of
personality that comes by looking on what the great have possessed,
there can be few private collections more compelling than this of
Abbotsford.
[Illustration: THE STUDY, ABBOTSFORD.]
In the library are such significant hints for reconstruction as the
blotting book wherewith Napoleon cleared his record, the crucifix on
which Queen Mary prayed, the quaigh of her great great and last
grandson, the tumbler from which Bobbie Burns drank--one of them--the
purse into which Rob Roy thrust his plunder, the pocket book of Flora
MacDonald, which held nothing I fear from the generosity of the Bonnie
Prince.
In the armoury are Scott's own gun, Rob Roy's gun, dirk and skene dhu,
the sword of Montrose, given to that last of the great Cavaliers by his
last king, Charles I, the pistol of Claverhouse, the pistol of Napoleon,
a hunting flask of James III; and here are the keys of Loch Leven
castle, dropped in the lake by Mary Queen's boatman; and the keys of the
Edinburgh Tolbooth turned on so many brave men, yes, and fair women, in
the old dividing days, of Jacobite and Covenanter.
Public-domain text, read in full here on John Shaqi.
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