The spell of the heart of France: the towns, villages and châteaux about ParisHallays, André
History
The spell of the heart of France: the towns, villages and châteaux about Paris
Hallays, André
France -- Description and travel; France -- History
This forms the beauty, so to speak, the intellectual beauty, of the
cathedral of Noyon. But its most original character, by which it
enchants our imagination and impresses itself in our memory, is the
marvelous combination of the pointed and the circular arch. [19] It is
charming among all those charming churches which rose in the twelfth
century in the valleys of the Oise and the Seine, and in which
architects endowed with genius knew how to bring together the round arcs
of the declining Romanesque and the pointed arches of the Gothic at its
dawning. In no other place did the art of these constructors display
itself in so refined and subtle a manner; nowhere else can we find so
complete a success; in no other region has the marriage of tradition and
moderation given birth to a more exquisite work.
Consider the elevations of the nave: the arches which separate the nave
from the side aisles break in ogives; the tribunes are pierced with
pointed apertures divided by little columns and surmounted by trefoil
windows; the light penetrates this triforium through Romanesque windows;
above these tribunes runs a little gallery whose arches are circular,
and higher still the twin windows of the clerestory are framed with
semicircular arches. In the transepts, whose two arms end in apses,
there are other combinations, but the two varieties of arches are always
fraternally associated; the Gothic and the Romanesque alternate from the
ground to the vaulting. In the choir, finally, the arcades, round-arched
in the two first bays, are pointed at the back of the apse and the lines
of the clerestory reproduce the same arrangement; the tribunes are cut
in points and the arches of the gallery are divided in trefoil. To this
diversity of lines we must add the diversity of decoration. Two styles
are here juxtaposed: here are the monsters, the grotesques and the
foliage of Romanesque art, and there the more sober and truthful
sculpture of Gothic art.
But--here is the miracle--all these contrasts appear only when we
closely analyze the elements of the edifice. They never make discords;
they never enfeeble the impression of grace, ease and perfection which
we experienced when we entered Notre Dame de Noyon.
*****
There has been much discussion about the date of the construction of
this church.
Public-domain text, read in full here on John Shaqi.
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