Lawyers -- Fiction; New York (N.Y.) -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Produced by Al Haines.
[Illustration: BETTY STOOD AT THE WINDOW IN THE FULL LIGHT OF THE
STREET-LAMP]
THE SPIDER’S WEB
BY
REGINALD WRIGHT KAUFFMAN
Author of "The House of Bondage," etc., etc.
Illustrated by
JEAN PALEOLOGUE
NEW YORK
MOFFAT, YARD AND COMPANY
1913
COPYRIGHT, 1913, BY MOFFAT, YARD AND COMPANY
_All Rights Reserved_
Published October, 1913
To
EVERETT HARRÉ
_Gratefully_
That’s the shout, the shout we shall utter
When, with rifles and spades,
We stand, with the old Red Flag aflutter
On the barricades!
—FRANCIS ADAMS.
Thou orb of many orbs!
Thou seething principle! Thou well-kept, latent germ!
Thou center!
Around the idea of thee the strange sad war revolving,
With all its angry and vehement play of causes,
(With yet unknown results to come, for thrice a thousand
years)....
—WHITMAN.
While three men hold together,
The kingdoms are less by three.
—SWINBURNE.
*LIST OF ILLUSTRATIONS*
"Betty," he said, "do you understand what your father is asking me to
do?" . . . (Outside cover) (missing from book)
Betty stood at the window in the full light of the street-lamp . . . . .
. . . . _Frontispiece_
He found it necessary to be emphatic
The mob was using the coal from the dismantled wagon
*EXPLANATION*
In order to warn off trespassers, I have begun my novel with four
chapters that an expert bookmaker—indeed, my own book-maker—has
pronounced dull: I knew that only those to whom the book belonged would
persevere. By the same token, being aware that the story which is
prefaced by an apology is ended with suspicion, I preface this story
with an apology: I want to apologize to my friends for using them and to
my enemies for not giving them what they have expected; I want to create
in the minds of the former the suspicion that I am darker than I have
been painted, and in the minds of the latter the suspicion that I am not
a whited sepulcher but a blackened altar.
In 1909 I projected, vaguely it is true, a cycle of four novels, each to
be independent of the others in plot and character, but all carrying
forward a definite view of life. As, however, the announcement of a
cycle is the surest means of alienating readers, not to mention
publishers, I held my tongue about the general plan and concerned
myself, in public, only with its separate parts. These were "The House
of Bondage," "The Sentence of Silence," "Running Sands" and "The
Spider’s Web."
Public-domain text, read in full here on John Shaqi.
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