American fiction -- 19th century; Dime novels; Popular literature
“Oh, my boy! I dare not explain. It is soul language. I have been
initiated into the Order of Nomads. I’ve eaten salt with them. That is
as far as I can go. There are the camels. Now to chase the blue devils
away. Nobody can stand here five minutes and fail to laugh.”
And Wycherley is quite right. The uncouth figures of the hump-backed
animals, so strange to Western eyes, their meek, docile aspect,
the ridiculous manner of their rising and squatting are enough in
themselves to arouse interest. Add to this the alarmed shrieks of the
daring women who brave the merriment of the crowd and venture to take
a ride, the clattering of donkeys with pilgrims astride of them whose
legs almost touch the ground, the shouting of donkey boys and camel
drivers, and one can have a faint idea of the sounds of old Cairo
Street.
Several times during the day and evening the wedding procession takes
place; an unique affair, headed by the stout major-domo, with whirling
sword and fierce expression, who is followed by the strangest rabble
American eyes ever gazed upon, from the palanquin to the dancing girls
in the rear, their faces half concealed behind the _yashmak_.
Looking down the singular street from a second story balcony, or an
upper chamber of the Mohammedan mosque, as this procession approaches,
one could easily imagine himself in the old native quarter of Cairo on
the Nile. Aleck speedily forgets his troublesome thoughts in laughing
at the ridiculous sights presented on all sides.
Cairo Street was better than a doctor. No one came out regretting
having entered. There you saw only the jolly side of life, for everyone
laughed and joked. While walking along it was nothing to have a camel
poke his nose over one’s shoulder, or be brushed aside by a donkey boy
on the run, shouting, “Look out for Mary Anderson!” or “Make way for
Lily Langtry!”
“Will you have your fortune told?” asks Wycherley, as, mounting the
steps of the mosque, they look through a grated window into a dimly
lighted room where a black Nubian, with a rather repulsive face,
dressed after the manner of his race, squats upon a rug and manipulates
some sand upon the floor, spreading it out deftly, tracing certain
mystic symbols, and finally in rapid Arabic delivering his prophecy to
the smiling interpreter who translates it in the ear of the mulcted
victim, after which “Next,” and another hard-earned American quarter
has started to roll toward the Nile. This fakir appears to do a
flourishing business--Americans have come to the Fair to be taken in,
and anything connected with the Orient has a peculiar charm for their
Western eyes.
At the question Craig laughs:
“What! have you a pull with this wonderful seer in the turban, this
ebony prophet from the land of the lotus?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account