American fiction -- 19th century; Dime novels; Popular literature
“You know there are exceptions to every rule, my dear boy. Since we are
under the enchantment of this unknown Circe, let us act as though we
believed in the rubbish and have our fortunes told.”
“Oh, I’ve done that before. She predicted that I would win much gold,
but that it could never stick to my fingers. Think of that. There’s
the cool million to-morrow--perhaps she means that--and I reckon she’s
right about it not sticking, for how can a man hold that which he hath
not.”
“There goes the pasha up.”
“Now keep your eyes open.”
“She does not seem to have noticed him before. See how she starts and
draws back as though a sudden fear had penetrated her heart.”
“Right you are. I believe she has recognized him.”
“And he?”
“His actions indicate that on his part he entertains a suspicion,
which he is bound to verify. Now he speaks to her. I would that I knew
Arabic, that I might translate what he says. My early education was
somewhat neglected in that respect. She replies in a low tone--I swear
her voice trembles with fear. Why should she dread this man? Tell me
that.”
“I cannot say. Wait, and we may learn something that will give us an
insight. I am deeply interested in all he does.”
“Of course,” says Wycherley, chuckling; “because you are concerned
about Dorothy’s fortunes. Now the Turk holds out his hand. She takes
it. See his bold eyes, they are glued upon her face. The gauzy veil
tantalizes Aroun Scutari. I’ve a notion he has come here to-night to
settle some doubt, some uncertainty, that has preyed upon him for a
long time, and he’ll do it in his own impulsive autocratic way. There!
What did I say, Aleck?”
There is a sudden movement on the part of the pasha, a feminine shriek,
and Aroun Scutari stands there with the gauzy veil in his hand, stands
there glaring upon the beautiful face his rude action has unveiled.
Immediately the lights are extinguished, and all is darkness. Confusion
follows.
“Come, let us get out of this!” cries vagabond Claude, and Aleck Craig
allows himself to be led into the street of Cairo.
He is silent and has suffered a terrible shock, for when that veil was
torn away his astounded gaze fall upon a face that has haunted his
dreams these six months, and he could swear he looked upon the features
of Dorothy!
CHAPTER VII.
CRAIG BUILDS A THEORY.
The idea seems too preposterous to be entertained for a moment, and yet
he must give some credence to what his eyes have seen. Besides, the
strange presence of Dorothy in the Midway is as yet unexplained, though
she has, particularly, promised to enlighten him on the following
evening, if he will call.
Public-domain text, read in full here on John Shaqi.
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