American fiction -- 19th century; Dime novels; Popular literature
It is as though one were suddenly transported to a street in Stamboul.
In imagination the sounds incident to that queer city on the Golden
Horn assail the ear: the tinkling of silvery bells, the strident voice
of the muezzin on the minaret calling to prayer, the dismal chant of
dervishes, the howling of mongrel curs that after nightfall roam the
streets. Wycherley, who has been there, rubs his eyes to make sure he
is not dreaming. In the quaint Midway, surrounded with its remarkable
features, jostling elbows with the odd people of the other hemisphere,
it must always be hard to realize one is within the city limits of
bustling Chicago, empress of the West.
The discussion between Dorothy and her faithless duenna lasts but a
couple of minutes, but this is time enough for Aleck to notice many
things.
It seems almost incredible that Aroun Scutari should dare attempt
such a bold game; but who can fathom the depths of daring to which an
unscrupulous man will descend when he desires to see his enemy and go
one better! The clever _coup d’état_ executed by Samson years ago has
remained a thorn in the pasha’s flesh. Time has served to make the
wound more irritable, and this Mohammedan comes to the great Fair with
but one idea uppermost in his mind--to find the man who defied him on
Turkish soil, to turn the tables by stealing his child from under his
roof.
Craig grinds his teeth at the bare thought, it is so repugnant to him.
Then he realizes what strange surroundings fate has placed him amongst.
Surely such opportunities for serving Dorothy can have but one natural
outcome--he may win her, despite the young miner. The remembrance of
this worthy causes Aleck a qualm, but he banishes the sensation.
Now the two cloaked figures move again. Dorothy has yielded to her
companion’s guidance, and they are advancing. The Canadian cannot but
admire the proud pose of the young girl. He remembers that she faced
danger once before in the car of the Ferris wheel when the crazy
professor was raging about like an escaped mad-house patient.
Fear is not an element in her heart, and yet some hidden faculty
whispers of danger. She has never forgotten the awful look of hatred
which this Turk shot into the face of her father when by chance they
met on the Plaisance, and it has ere now been patent to her mind that
some link in the far away past connects their destinies.
Seeing the pasha hovering there, Dorothy has conceived the idea that
he means harm to her, and while the seductive voice of her companion
assuages her alarm, it is with something of the feeling with which a
soldier marches up to the muzzle of a cannon that Dorothy advances in
the direction of the Turk.
Then comes the devilish deceit of the woman who has sold herself for
gold. She knows the time is at hand for delivering the goods. No doubt
the stake is a rich one, since by this stroke she must sever all
connection with her patroness, upon whose bounty she has long lived.
Public-domain text, read in full here on John Shaqi.
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