American fiction -- 19th century; Dime novels; Popular literature
The other has traveled all over Europe, has been in the Egyptian
army, and impresses the Canadian as a remarkable man. He pays little
attention to his business, leaving it almost entirely in the hands of
an Armenian, in whom he seems to have implicit confidence. So Craig
shrewdly judges that the Turk has hardly come to the great World’s Fair
to increase his fortune. Various motives bring men here, and it is
hardly right to speculate upon their private reasons.
Leaving the gem dealer, he saunters on to pass a few sentences with a
wide-awake foreigner who invites the public to step in and view the
beauties of Jerusalem through the aid of stereoscopic views.
Upon passing the glittering booth of Scutari again, he sees the stout
Turk in earnest conversation with a man who wears a fez, but who sports
a blond mustache, and at sight of whom Aleck receives something of a
shock.
Instead of passing out of the bazaar, he lingers around, watching for
this individual, who soon comes lounging along, smoking a pipe, with
the most careless abandon in the world. A cane of bamboo raps upon his
arm: he glances down at the spot, brushes some imaginary dirt from his
sleeve, and then raises his eyes to the party at the other end of the
cane.
“Wycherley, my boy, how are you?” says that individual, smiling.
“Do my eyes deceive me--can I believe the evidence of my vision? Is it
Aleck Craig, or his double?” says the party addressed, slowly putting
out his hand to meet that proffered him.
The clasp of the muscular Canadian comes direct from the heart, and
Wycherley shows signs of sudden devotion--although no muezzin chants
the _aden_, or call to prayer, from the minaret of the Mohammedan
mosque near by, he makes a move as though about to drop to his knees.
“Mercy, you Canadian bear. Now I know you are Aleck. No other man has
a grip like that. Keep it, I beg, for your fellow-athletes. I believe
you’ve crushed the bones in my hand. I’ll beware of you next time. Now
what brings you here--how long do you stay--what business are you in?”
He rattles these sentences off in a dramatic way, for having once been
a Thespian, a wandering “barn-stormer,” Claude Alan Wycherley could
not even ask a waiter for a little more hash without throwing into the
simple request an oratorical effect so picturesque, that the poor devil
would be apt to drop the plate in his sudden trepidation.
“Of course I’m doing the Fair, and, as you know my failing with regard
to studying human nature, you can understand this quaint Midway has
strong attractions for me,” answers the Canadian.
“So they all say! Everyone comes here to study human nature,” laughs
the ex-actor, waving his pipe around--they have stepped outside and
are on the edge of the multitude thronging the Plaisance--“but I give
you the benefit of the doubt, my boy. Yes, I do remember your penchant
of old. Nor have I forgotten that I owe my life to the champion of the
Montreal Snowshoe Club.”
Public-domain text, read in full here on John Shaqi.
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