American fiction -- 20th century; American fiction -- California; Western stories
"But we've had one since then," said Miss. Ryan, as she placed her hand
in his in the pressure of farewell, "that laid all over that first one."
Having been pressed to call by both mother and daughter, and having told
himself that Genevieve Ryan was "an interesting study," Faraday, after
some hesitation, paid a second visit to the Ryan mansion. Upon this
occasion the Chinese servant, murmuring unintelligibly, showed a rooted
aversion to his entering. Faraday, greatly at sea, wondering vaguely if
the terrible Barney Ryan had issued a mandate to his hireling to refuse
him admittance, was about to turn and depart, when the voice of Mrs.
Ryan in the hall beyond arrested him. Bidden to open the door, the
Mongolian reluctantly did so and Faraday was admitted.
"Sing didn't want to let you in," said Mrs. Ryan when they had gained
the long gold drawing-room, "because Genevieve was out. He never lets
any gentlemen in when she's not at home. He thinks I'm too old to have
them come to see me."
Then they sat down, and after a little preliminary chat on the Chinese
character and the Californian climate, Mrs. Ryan launched forth into her
favorite theme of discourse.
"Genevieve will be so sorry to miss you," she said; "she's always so
taken by Eastern gentlemen. They admire her, too, immensely. I can't
tell you of the compliments we've heard directly and indirectly that
they've paid her. Of course I can see that she's an unusually
fine-looking girl, and very accomplished. Mr. Ryan and I have spared
nothing in her education--nothing. At Madame de Vivier's academy for
young ladies--one of the most select in the State--Madame's husband's
one of the French nobility, and she always had to support him--Genevieve
took every extra--music, languages, and drawing. Professor Rodriguez,
who taught her the guitar, said that never outside of Spain had he heard
such a touch. 'Senora,' he says to me--that's his way of expressing
himself, and it sounds real cute the way he says it--'Senora, is there
not some Spanish blood in this child? No one without Spanish blood
could touch the strings that way.' Afterwards when Demaroni taught her
the mandolin, it was just the same. He could not believe she had not had
teaching before. Then Madame Mezzenott gave her a term's lessons on the
bandurria, and she said there never was such talent; she might have made
a fortune on the concert stage."
"Yes, undoubtedly," Faraday squeezed in, as Mrs. Ryan drew a breath.
Public-domain text, read in full here on John Shaqi.
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