Sculpture -- United States -- History; Sculpture, American
They were not torn up by the roots to live in
a strange land.
Yes, the main impediment in early American art was spiritual rather
than material. When we see to-day in some lonely, half-forgotten
New England village a spacious, nobly-designed, admirably-built
meeting-house, capping the very crest of a high rock-ribbed hill
of exceeding difficulty, (the church at Acworth will serve as an
example) we uncover our heads before the efforts of our fathers to
erect a house of prayer. The spirit moved them. Nothing less would
have sufficed in what they did and suffered. The obstacles in their
path were many and great, but being material, were surmounted. In our
early strivings toward sculpture, the obstacles were both spiritual and
material, and generally speaking, the obstacles won the day. We had
no noteworthy early native sculpture, largely because we lacked the
passion to create it. That passion was not dead, but it lay dormant
during the long wintry season that preceded the spring of our national
consciousness.
In the mean time, men and women died, and had their humble carved
slate headstones; ships put out to sea, glorying in their robust
wooden figure-heads of American make. Benjamin West’s legendary
adventure with his cat’s-fur brushes and his Amerind colors and his
baby sister’s likeness no doubt had its sculptural counterpart in the
creative endeavor of many an unknown fire-side whittler. These obscure
dramas of artistic effort counted; though meagre and lowly, they were
not in vain; they made for craftsmanship, art’s helper. Referring to
more important matters, we do not forget William Rush’s full-length
statue of Washington, hewn from wood, or his soldierly self-portrait,
carved from a pine log; or the early efforts, in portraiture, of Dixey,
in New Jersey, of Augur in Connecticut; of John Frazee, that young
stone-cutter to whom we owe the first marble portrait bust chiseled
in the United States, as late as the year 1824. We remember also the
Browere life-masks, created by a secret process, and useful still as
historic data.
Public-domain text, read in full here on John Shaqi.
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