Sculpture -- United States -- History; Sculpture, American
A valuable activity has been the sending out of small sculptures on
tour throughout the country. Commenting on the universal public need
of something with increased beauty to replace the story-telling Rogers
groups of other days, a president of the Society wrote in 1913: “The
time was ripe when some four years ago the National Sculpture Society
carefully selected and sent out as a traveling exhibition nearly two
hundred small bronzes which made a circuit of the museums in some
eight or ten of the important cities. The responsive interest was as
immediate as it was unexpected, and thousands of people gave expression
to their pleasure in seeing what had hardly been known to exist.
In Chicago alone, over thirty thousand persons visited this first
exhibition.... This year, under similar auspices, and the management of
the Pittsburgh Art Society, another collection of entirely different
bronzes is passing from one museum to another, and meeting the same
warm reception from the public.”
Established in New York, the Society has proved by work of this kind
that it is truly National in its aims. Earnest inquiries and knotty
problems are sent to it from all quarters of the United States. At
one time it will be asked to “prepare the program for the competition
for the $100,000 American Baseball Monument.” Again, it will be found
considering the question, “What will it cost to produce 30,000 medals
within three weeks?” Only a great moral earnestness joined to a
knowledge of art and some acumen in judging human nature can properly
answer some of the queries submitted.
The Society’s professional membership includes nearly all persons
in the United States who practise the art of sculpture with dignity
and merit; it is safe to say that any renowned sculptor remaining
aloof from the organization is an individualist, doubtless with a
congenital distaste for organized effort. The Society’s lay membership
is an unusually large and distinguished group, made up in the main
of disinterested lovers of art. In addition to the proverbial reward
of virtue, the lay members receive from time to time some tangible
souvenir, such as a small bronze designed by a sculptor member, or a
monograph. These tokens occur often enough to attest good will, but not
so often as to lose the charm of the unexpected.
Public-domain text, read in full here on John Shaqi.
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