I know my voice is too feeble to raise itself above the uproar of this
bustling time, and it is easy for any street urchin to fling against me
the epithet of 'unpractical.' It will stick to my coat-tail, never to be
washed away, effectively excluding me from the consideration of all
respectable persons. I know what a risk one runs from the vigorously
athletic crowds to be styled an idealist in these days, when thrones
have lost their dignity and prophets have become an anachronism, when
the sound that drowns all voices is the noise of the market-place. Yet
when, one day, standing on the outskirts of Yokohama town, bristling
with its display of modern miscellanies, I watched the sunset in your
southern sea, and saw its peace and majesty among your pine-clad
hills,--with the great Fujiyama growing faint against the golden
horizon, like a god overcome with his own radiance,--the music of
eternity welled up through the evening silence, and I felt that the sky
and the earth and the lyrics of the dawn and the dayfall are with the
poets and idealists, and not with the marketsmen robustly contemptuous
of all sentiments,--that, after the forgetfulness of his own divinity,
man will remember again that heaven is always in touch with his world,
which can never be abandoned for good to the hounding wolves of the
modern era, scenting human blood and howling to the skies.
Transcriber Notes:
On page 11, "sacrificesstet" was replaced with "sacrifices".
On page 20, "imitaing" was replaced with "imitating", and "its
vitality," was replaced with "its vitality.".
Public-domain text, read in full here on John Shaqi.
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