As in all other matters, it happens that estimates of the merits of
things of the past are necessarily indefinite; they vary from time to
time. One generation will have it this old-time celebrity was the
greatest in his line; while the sons of that generation make
hero-worship of another master, and say that he was the best. So it is
in golf. One time there will be a feeling that young Tom was
incomparably the best of the golfers of the early period of the game.
Then by and by a little of this enthusiasm will fade, and it will be
agreed that there was no one better than Allan Robertson. Sometimes a
wave of feeling will roll over these discussions in favour of good old
Tom, and of late years poor Bob Ferguson has been having justice done to
the magnificent skill that he displayed when he was in his prime. Now,
taking a mental vote from all the authorities one can remember to have
spoken or written on these weighty matters, it seems to result in Allan
and young Tom coming out at the top. Bob Ferguson is too near our time
for his merits to be properly appraised. Our grandchildren may better be
able to give his due to the man who won three championships in
succession, and tied for a fourth.
But there can be no doubt that Allan was a really great player in every
way. Like Bob Ferguson, and like Harry Vardon in our own day, the beauty
of his achievement lay largely in the concealment of his effort, and
this is the perfection of style. It has been handed down to us as
indisputable, that the easiness of his style was its most remarkable
feature, and that he never, never seemed to hit hard at the ball. His
swing was a long but a gentle one, and his clubs were light. He was the
first man to cultivate in its perfection that fine cleek play from long
range up to the hole that in our day has been accomplished with such
magnificent effect by Vardon. The 79 that he did at St. Andrews in
1858--he was then just turned forty-three years of age, having been born
in the year of Waterloo--was then and for a long time later regarded as
a most superlative achievement. That time he was out in 40 and home in
39, winding up with a 4 and a 3. That great things could be and were
done in those days, even reckoning their merit on the most exacting
modern standard, may be realised from the circumstance that, taking the
best scores at each hole in all Allan’s rounds on the old course, which
he kept, and making up a composite round from them, that round works out
to the strange total of 56,--out in 27 and home in 29. In this strong
essence of Robertsonian golf the ingredients, in the order of the
eighteen, are, 3 3 3 3 4 4 3 1 3 to the turn, and 3 2 3 4 4 3 3 4 3 on
the way back.
Public-domain text, read in full here on John Shaqi.
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