“One evening at a friend’s house, where some ten or a dozen of my
companions and acquaintances were assembled, I mesmerized a boy about
twelve years old. I found him completely under my control, and perfectly
docile to all my intentions. His behavior was admirable. I asked him
mentally a large number of questions which it was certain that in his
normal state he could not answer, and which he answered explicitly, with
surprising accuracy. He had never been taught music, and in his normal
state could not distinguish even one tune from another. I willed him to
seat himself at the piano, and play for us a favorite waltz of Mozart.
He obeyed, and performed it with accuracy, with spirit, a delicacy of
touch, and brilliancy of effect, which none of us had ever heard
equalled, or even approached. I then mentally ordered him to sing us, to
his own accompaniment, one or two songs from Fra Diavolo, which were
then in fashion. He obeyed. We were all surprised, and began talking
among ourselves of the apparent miracle, when, to our still greater
astonishment, he commenced playing of his own accord a strange piece,
which none of us knew or had ever heard, and which, for its wild and
unearthly character, for its brilliancy, depth, and pathos, surpassed
all that we had ever conceived of music. We were all entranced. Here was
some agency not the boy’s, not mine, not that of any one present. Such
strains had never had mortal composer.
“I knew not what to think, and so contrived not to think at all, but
enjoyed the music, and looked no farther. _Carpe diem_, you know, was my
philosophy. I saw I had a brilliant subject, and I resolved to make the
most of him. I had heard of the marvellous powers of clairvoyance and
second sight exhibited by some somnambulists. I blindfolded the boy, and
gave him a letter. He read it with ease. I placed another at the back of
his neck, he read that also; I placed another, folded up, on the back of
his head. He told me who was the writer, described his appearance, his
complexion, size, and character, with more accuracy than I could have
done, although the writer was well known to me, and must have been a
total stranger to the boy. I took the boy with me on a journey, that is,
mentally. We stopped at Providence, went on to Stonington, took the
steamer for New York, landed and went up Broadway, down the Bowery, and
through several other streets. He named the hotels, churches, and other
public buildings we passed, and read the signs over the shop doors. We
went up the Hudson, to Albany, from there on to Utica, Rochester,
Niagara Falls, and then returned, and on our way back stopped at your
house in Genesee county, with which you know I am familiar. We went into
the library, and the laboratory, in each of which he named and
accurately described the principal objects. Having come back, we took an
excursion into the other world, of which he told us strange things,
which none of us believed, for we were all Unitarians, Universalists, or
Public-domain text, read in full here on John Shaqi.
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