Now they had left the high-road and were making south-east through the
winding lanes. Their shoulders were turned to the sea, though in that
lost world of the mist only the native could tell where the bay was
supposed to lie. It was one of the dead hours, too, when even the salt
goes out of the marsh-air, and no pulse in it warns you subconsciously
of the miracle coming. Between the high-mounted hedges it was still and
close, and beyond them the land rose until its dank green surface stood
soft against the sky. All the way Simon looked at the land with a
critical eye, the eye of the lover which loves and asks at the same
time. He looked at the ploughland and knew the rotation through which it
had run and would have to run again; at rich grass-land which seemed
never to have known the steel, and fields which, at rest for a hundred
years, still spoke to some long-rusted share. He loved it, but he
thought of it first and foremost as good material for the good workman
engaged on the only job in the world. It was always the land that he
coveted when he came to Blindbeck, never the house. Eliza had made of
the house a temple to the god of Blessed Self-Satisfaction, but even
Eliza could not spoil the honest, workable land.
The farm kept showing itself to them as they drove, a quadrangle of
long, well-kept buildings backed by trees. When the sun shone, the
white faces of house and shippon looked silver through the peeping-holes
of the hedge, but to-day they were wan and ghostly in the deadening
mist. The turned beeches and chestnuts were merely rusty, instead of
glowing, and seemed to droop as if with the weight of moisture on their
boughs. The Scotch firs on a mound alone, stark, straight, aloof, had
more than ever that air of wild freedom which they carry into the tamest
country; and the pearly shadow misting their green alike in wet weather
or in dry, was to-day the real mist, of which always they wear the other
in remembrance.
Public-domain text, read in full here on John Shaqi.
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