The Splendid Idle Forties: Stories of Old CaliforniaAtherton, Gertrude Franklin Horn
History
The Splendid Idle Forties: Stories of Old California
Atherton, Gertrude Franklin Horn
California -- History -- To 1846 -- Fiction; Historical fiction, American; Spaniards -- California -- Fiction
No two men could have contrasted more sharply than José Castro and
Pio Pico--with the exception of Alvarado the most famous men of their
country. The gold trimmings of the general's uniform were his only
jewels. His hair and beard--the latter worn _à la Basca_, a narrow strip
curving from upper lip to ear--were as black as Pio Pico's once had
been. The handsomest man in California, he had less consciousness than
the least of the caballeros. His deep gray eyes were luminous with
enthusiasm; his nose was sharp and bold; his firm sensitive mouth was
cut above a resolute chin. He looked what he was, the ardent patriot of
a doomed cause.
"Señorita," he said, as he led Ysabel out to the sweet monotonous music
of the contradanza, "did you see the caballero who rode with me to-day?"
A red light rose to Ysabel's cheek. "Which one, commandante? Many rode
with you."
"I mean him who rode at my right, the winner of the races, Vicente, son
of my old friend Juan Bautista de la Vega y Arillaga, of Los Angeles."
"It may be. I think I saw a strange face."
"He saw yours, Doña Ysabel, and is looking upon you now from the
corridor without, although the fog is heavy about him. Cannot you see
him--that dark shadow by the pillar?"
Ysabel never went through the graceful evolutions of the contradanza
as she did that night. Her supple slender body curved and swayed and
glided; her round arms were like lazy snakes uncoiling; her exquisitely
poised head moved in perfect concord with her undulating hips. Her eyes
grew brighter, her lips redder. The young men who stood near gave as
loud a vent to their admiration as if she had been dancing El Son alone
on the floor. But the man without made no sign.
After the dance was over, General Castro led her to her dueña, and
handing her a guitar, begged a song.
She began a light love-ballad, singing with the grace and style of her
Spanish blood; a little mocking thing, but with a wild break now and
again. As she sang, she fixed her eyes coquettishly on the adoring face
of Guido Cabañares, who stood beside her, but saw every movement of the
form beyond the window. Don Guido kept his ardent eyes riveted upon
her but detected no wandering in her glances. His lips trembled as he
listened, and once he brushed the tears from his eyes. She gave him
a little cynical smile, then broke her song in two. The man on the
corridor had vaulted through the window.
Ysabel, clinching her hands the better to control her jumping nerves,
turned quickly to Cabañares, who had pressed behind her, and was pouring
words into her ear.
"Ysabel! Ysabel! hast thou no pity? Dost thou not see that I am fit to
set the world on fire for love of thee? The very water boils as I drink
it--"
She interrupted him with a scornful laugh, the sharper that her voice
might not tremble. "Bring me my pearls. What is love worth when it will
not grant one little desire?"
Public-domain text, read in full here on John Shaqi.
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